Rembrandt Harmenszoon van Rijn (July 15, 1606 – October 4, 1669) was a Dutch draughtsman, painter and printmaker.
An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.
Technical investigation of Rembrandt's paintings in the possession of the Gemäldegalerie Alte Meister and in the Gemäldegalerie Alte Meister (Kassel) has been conducted by Hermann Kühn in 1977. The pigment analyses of some thirty paintings have shown that Rembrandt's palette consisted of the following pigments: lead white, various ochres, Vandyke brown, bone black, charcoal black, lamp black, vermilion, madder lake, azurite, ultramarine, yellow lake and lead-tin-yellow. One painting (Saskia van Uylenburgh as Flora) reportedly contains gamboge. Rembrandt very rarely used pure blue or green colors, the most pronounced exception being Belshazzar's Feast in the National Gallery in London. The book by Bomford describes more recent technical investigations and pigment analyses of Rembrandt's paintings predominantly in the National Gallery in London. The entire array of pigments employed by Rembrandt can be found at ColourLex. The best source for technical information on Rembrandt's paintings on the web is the Rembrandt Database containing all works of Rembrandt with detailed investigative reports, infrared and radiography images and other scientific details.
Rembrandt is one of the most famous and best expertly researched visual artists in history. His life and art have long attracted the attention of interdisciplinary scholarship. He has been the subject of a vast amount of literature that includes both fiction and nonfiction works. Rembrandt scholarship, as an academic field in its own right with many notable Rembrandt connoisseurs and scholars, has been very dynamic and well published.
According to art historian Stephanie Dickey:
mentored generations of other painters and produced a body of work that has never ceased to attract admiration, critique, and interpretation. (...) Rembrandt's art is a key component in any study of the Dutch Golden Age, and his membership in the canon of artistic genius is well established, but he is also a figure whose significance transcends specialist interest. Literary critics have pondered "Rembrandt" as a "cultural text"; novelists, playwrights, and filmmakers have romanticized his life, and in popular culture, his name has become synonymous with excellence for products and services, ranging from toothpaste to self-help advice.
Francisco Goya, often considered to be among the last of the Old Masters, said "I have had three masters: Nature, Velázquez, and Rembrandt." The impressionist Max Liebermann said: "Whenever I see a Frans Hals, I feel like painting; whenever I see a Rembrandt, I feel like giving up".
The self portraits: • Rembrandt van Rijn Self Portraits (16...
https://en.wikipedia.org/wiki/Rembran...
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