Скачать или смотреть Deeejay van Presents _ Stay Cool Riddim

In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances.

Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing.

By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper registration, many artists now work on negotiating their royalties and taking it more seriously. The unique nature of dancehall and riddims have been highly influential on the numerous remixes that now circulate throughout R&B and hip-hop music.
"Riddims are the primary musical building blocks of Jamaican popular songs.... At any given time, ten to fifteen riddims are widely used in dancehall recordings, but only two or three of these are the now ting (i.e., the latest riddims that everyone must record over if they want to get them played in the dance or on radio)...
In other musical contexts, a riddim would be called a groove or beat. In most cases, the term riddim is used in reference to the entire background track or rhythm section, but in older roots riddims, riddim is used to reference a certain bass line and drum pattern. Often a melody is associated with the riddim, and occasionally an artist will produce two different songs with the same riddim (e.g. Elephant Man's "Ele Melody" and "Father Elephant" were both produced using the Kopa riddim, produced by Supa Dups).[citation needed] Riddims began forming popular in the early 1960s with the evolving role of the DJ. The work of DJs became less of shouting throughout points during a song, but more focused on an aesthetic with the voicings over these instrumental riddims. A specific DJ, DJ U-Roy, revolutionized the practice with studio recordings of these DJ voicings as his recordings skyrocketed on the charts in Jamaica in the 70s, thus leading to the beginning stages of dancehall. Riddims, therefore, became the standard practice for dancehall as it has progressed. Today, the same practices combining riddim and voicing still takes precedence in dancehall. Other live performances like at clubs or along the streets feature the use of sound systems in which there are usually medleys of different songs that all use the instrumental accompaniment.

Whilst mainly reggae-based music, an emerging electronic music genre as a sub-genre of dubstep also called riddim has recently emerged.
Mixed and compiled by yours truly Deeejay van!






New released tracks being featured. Playlist is shared below:
1.Alaine - Grateful Heart
2.Ce'cile - Riding for you
3.Christopher Martin - Stay Cool
4.Jah Cure - Make Me Feel (Can't Keep My Cool)
5.officialkranium - My Choice (Supn Fi Do)
6.Pressure Busspipe - So Real
7.WayneWonderMusic - Nothing but Loving



I will appreciate any small effort to listen even though some people don't listen to house music in general, not to worry at all as more surprises to come.






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