How to make Reese Bass | Drum & Bass | Serum | Moog | Sound Design

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Create a Reese Bass in Serum & Minimoog | Advanced Resampling Techniques for Drum & Bass

Looking to craft the ultimate Reese bass for your Drum & Bass tracks? In this in-depth tutorial, I’ll guide you through the exact process of designing a rich, dynamic Reese bassline using Serum and a Minimoog. Plus, I’ll show you how to use resampling techniques to add movement, texture, and character to your sound.

Whether you're into Neurofunk, Liquid Drum & Bass, or Bass Music in general, this video is packed with tips and tricks to elevate your sound design skills and make your tracks stand out in the mix.

🔥 What You’ll Learn:
1️⃣ Reese Bass Design in Serum: Create a powerful Reese bass from scratch using Serum’s oscillators, filters, and modulation tools.
2️⃣ Minimoog Reese Creation: Leverage the warm, analog sound of the Minimoog to design a bassline with character.
3️⃣ Resampling Techniques: Transform your bass sounds with creative resampling workflows to add depth and complexity.

💡 Who is This For?

This tutorial is ideal for producers of Drum & Bass, Neurofunk, Liquid DnB, and other bass-heavy genres who want to master the art of sound design. Whether you’re a beginner or a seasoned producer, these techniques will help you create standout basslines that dominate the mix.

Why the Reese Bass?
The Reese bass is a cornerstone of Drum & Bass and Electronic Bass Music, known for its gritty, evolving texture and raw power. Mastering this iconic sound will not only improve your production skills but also make your tracks unforgettable.

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0:00 - Intro
1:04 - Setting up OSC 1
2:49 - Distortion
3:12 - Pitch Bend
4:15 - Setting up OSC 2
5:20 - Pre-Filter
6:32 - FX Processing
7:33 - EQ Filtering
11:02 - Compression
12:07 - Reverb
15:32 - Delay
17:59 - Macros
20:30 - Post Filter
23:49 - Sub OSC
25:25 - Minimoog Reese
31:53 - EQ Filtering (Morph EQ)
33:15 - Distortion + Filter
37:42 - Sampling
40:25 - Sampler Work
45:00 - Testing a Sketch
47:18 - Sketch Playthrough
47:40 - Outro

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