The GH7 is a tiny JUGGERNAUT | Review

The Panasonic LUMIX GH7 is a video centric juggernaut of a camera - but can a Micro Four Thirds sensor still cut it in 2024? does the addition of Pro Res RAW and the ARRI Log C3 profile make a difference? Let's find out!

The majority of footage in this video was shot at ISO 500 with the Panasonic Leica 10-25mm f/1.8 lens.

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The majority of this was graded using Tom Bolle's CINEPRINT35 powergrade, check it out! https://www.tombolles.net/cineprint35

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CHAPTERS
00:00 - Intro
00:43 - My history with Micro Four Thirds cameras
01:46 - Panasonic LUMIX GH7 form factor and features
03:22 - Recording formats and framerates
04:26 - Pro Res RAW in the GH7
06:31 - 120fps in 4k 10bit is gorgeous!
07:34 - Dynamic range on the GH7
10:18 - ARRI Log C profile on the GH7
13:23 - Awesome IBIS on the GH7
16:07 - Autofocus improvements on the GH7
17:44 - Rolling shutter performance on the GH7
18:40 - Does sensor size really matter in 2024?
21:50 - Final thoughts on the GH7 and what it hints about the next flagship camera

#lumix