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Скачать или смотреть Taxi Driver Review

  • Mighty Outlaw
  • 2024-06-09
  • 14775
Taxi Driver Review
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Описание к видео Taxi Driver Review

"Taxi Driver," directed by Martin Scorsese and released in 1976, is a seminal psychological thriller and neo-noir film that has left an indelible mark on the landscape of American cinema. Written by Paul Schrader, the film stars Robert De Niro as Travis Bickle, an alienated and mentally unstable Vietnam War veteran who becomes a night-time taxi driver in New York City. The film's exploration of urban decay, loneliness, and moral ambiguity is underscored by its intense performances, compelling narrative, and atmospheric direction.

Travis Bickle is a man adrift, suffering from insomnia and an acute sense of isolation. The film opens with Travis applying for a job as a night-shift taxi driver, stating that he can work anytime and anywhere. His rationale is straightforward: he is unable to sleep and figures he might as well make use of the time. This decision, however, plunges him deeper into the nocturnal underbelly of New York City, exposing him to the city's darkest corners and the most desperate of its inhabitants.

As Travis navigates the city, he becomes increasingly disillusioned with the squalor and depravity he witnesses. His contempt for the "scum" of the streets, which includes pimps, drug dealers, and other criminals, festers into a dangerous obsession. This growing resentment is amplified by his encounters with various characters who reflect the city's moral and social decay. Notably, Travis fixates on Betsy (Cybill Shepherd), a campaign worker for presidential candidate Senator Charles Palantine. Viewing her as a symbol of purity and salvation, Travis awkwardly courts Betsy, but their brief relationship deteriorates after he takes her to a pornographic movie, revealing his profound social ineptitude and alienation.

Parallel to his fixation on Betsy is Travis's encounter with Iris (Jodie Foster), a twelve-year-old prostitute controlled by a manipulative pimp named Sport (Harvey Keitel). Disturbed by her situation, Travis resolves to "rescue" her, further cementing his descent into vigilante justice. This mission to save Iris is driven by a mix of genuine concern and a desperate need to impose his own sense of order and morality on the chaotic world around him.
The film's narrative is interspersed with Travis's internal monologues, delivered through voice-over narration from his journal entries. These entries provide a window into his deteriorating mental state, revealing a man who feels increasingly alienated and powerless, yearning for a sense of purpose and clarity. Travis's famous line, "You talkin' to me?" delivered in front of a mirror, encapsulates his fractured psyche and his escalating detachment from reality.

As Travis's mental state unravels, he becomes increasingly obsessed with the idea of violent retribution. He acquires a cache of guns and begins a regimen of physical training, preparing himself for what he perceives as an inevitable confrontation. His fixation on Senator Palantine culminates in an aborted assassination attempt, symbolizing his ultimate rejection of the political and social systems he believes have failed him.

The film reaches its climax with Travis's brutal assault on Sport and the brothel where Iris works. The bloody and chaotic shootout leaves several people dead, including Sport, and culminates in Travis being hailed as a hero by the media for his actions. The film's ambiguous ending leaves open questions about Travis's fate and state of mind, as he returns to driving his taxi, seemingly unchanged yet more deeply entrenched in his own delusions of righteousness.


Martin Scorsese's direction, combined with Michael Chapman's cinematography, vividly captures the gritty and grim atmosphere of New York City. The use of light and shadow, along with the haunting score by Bernard Herrmann, amplifies the film's tension and sense of foreboding. The city itself becomes a character, its decaying streets and seedy locales reflecting Travis's internal chaos and despair.
Thematically, "Taxi Driver" delves into issues of isolation, mental illness, and the search for identity and redemption. Travis Bickle's journey is one of a man grappling with his own demons while projecting his inner turmoil onto the world around him. The film's exploration of vigilantism and moral ambiguity continues to resonate, posing challenging questions about the nature of heroism and the thin line between sanity and madness.
"Taxi Driver" remains a powerful and provocative piece of cinema, its influence evident in countless films and performances that followed. Its unflinching portrayal of a troubled individual's descent into violence and its critique of societal decay ensure its place as a cornerstone of American film history, continually studied and revered by audiences and filmmakers alike.

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