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Having premiered to overwhelming acclaim at The Public Theater, Ain’t No Mo’ dares to ask the incendiary question, “What if the U.S. government attempted to solve racism … by offering Black Americans one-way plane tickets to Africa?” The answer comes in the form of an outrageous and high-octane comedy about being Black in today’s America. From the mischievous mind of Jordan E. Cooper (“The Ms. Pat Show”), Ain’t No Mo’ seamlessly blends sketch comedy, satire and avant garde theater to leave audiences crying with laughter—and thinking through the tears.

Ain’t No Mo’s co-producing team includes BET: Black Entertainment Television, Len Blavatnik, Ron Burkle, Aryeh B. Bourkoff, Dwyane Wade, under his production company 59th & Prairie Entertainment, RuPaul Charles, Gabrielle Union under her I’ll Have Another Productions, Tucker Tooley Entertainment, Ann Cox, Gina Purlia, Bob Yari, Marvin Peart, Colleen Camp, Marvet Britto, Jeremy Green, Sue Wagner, John Johnson, Jillian Robbins, Jeremy O. Harris and CJ Uzomah and The Public Theater.

The cast includes Jordan E. Cooper as Peaches, Fedna Jacquet (Passenger #1), Marchánt Davis (Passenger #2), Shannon Matesky (Passenger #3), Ebony Marshall-Oliver (Passenger #4), and Crystal Lucas-Perry (Passenger #5). Understudies are Nik Alexander (u/s Peaches & Passenger #2), Jasminn Johnson (u/s Passenger #3 & Passenger #4), Michael Rishawn (u/s Passenger #2 & Peaches), Kedren Spencer (u/s Passenger #5 & Passenger #1), Brennie Tellu (u/s Passenger #4 & Passenger #5), and Emma Van Lare (u/s Passenger #1 & Passenger #3).

The design team for Ain’t No Mo’ includes three-time Tony Award® winner Scott Pask (scenic design), two-time Tony Award nominee Emilio Sosa (costume design), Adam Honoré (lighting design), Jonathan Deans & Taylor Williams (co-sound design), and Mia M. Neal (wig design). Wagner Johnson Productions serve as Executive Producers and General Management.

The New York Times heralded Cooper as one of “a generation of Black playwrights whose fiercely political and formally inventive works are challenging audiences, critics, and the culture at large to think about race, and racism, in new ways.”