SEQUENTIAL PRO 3 - Overview & Synth Demo by Carson Day

Sequential PRO 3 overview, sounds and demo by Carson Day from Sequential. Filmed at Robotspeak in San Francisco, this in-depth synth demo of the Sequential PRO 3 covers nearly every feature and function in detail. In this Sequential PRO 3 overview, Carson takes us through the synth's oscillators, filters, envelopes, effects, sequencer, arpeggiator, feedback, modulation matrix and more while showcasing some sounds.

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► Perfect Circuit (US): https://link.perfectcircuit.com/t/v1/...
► Thomann (EU): https://www.thomann.de/gb/sequential_...
► Guitar Center: https://guitar-center.pxf.io/0ZeQMR

The Sequential PRO 3 is a hybrid multi-filter mono synthesizer with 60 knobs and 70 buttons, FATAR 37-note semi-weighted keyboard and 3-voice optional paraphony mode (feat. individually gated envelopes per oscillator). The PRO 3 features 3 oscillators (two VCOs + one wavetable), 3 analog filters, 3 LFOs, 4 loopable envelopes, noise, hard sync, glide, tuned feedback, analog distortion, arpeggiator, 16x16x4 sequencer + 16-track sequencer, dual digital effects engines, touch slider and mod wheels, and a staggering 32-slot mod matrix.

All of this together makes the Sequential PRO 3 a powerhouse for sound design, and it is one of the most versatile and flexible mono synths to date. Big thanks to Carson for taking us through the features and functions of the PRO 3 in this demo and overview, and Robotspeak for hosting the event.

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TIMECODES:

Intro - 00:00
Oscillators (2 discrete VCOs, 1 digital wavetable) [00:43]
Oscillators 1 & 2 (sound) [2:06]
Oscillator 3 (DCO + wavetables) [6:13]
Oscillator 3 (32 wavetables of 16 waveforms each) [6:58]
Signal Flow [11:00]
External Audio Input (acts as analog feedback path without anything plugged in) [11:18]
Three filters (Prophet-6, OB-6 SEM-like, 4-pole ladder) [12:46]
4-pole 24dB Prophet-6 LPF sweep [14:10]
4-pole ladder filter sweep [16:49]
2-pole SEM OB-6 filter [18:38]
Tuned Feedback [21:44]
Tuned Feedback (sound) [22:20]
+ Grunge [24:19]
Modulation Matrix [26:02]
Modulation assignment workflow [27:05]
Using Oscillator 3 as an LFO [29:27]
Using Oscillator 3 as an LFO (sound)[29:51]
Envelopes DADSR + DAD looping [30:38]

Questions: Exponential vs. Linear FM [31:58]
Q: Discrete Oscillators [32:42]
Q: Re: Envelopes [34:17]
Q: LFO shapes [34:55]
Slew, wave reset, phase (sound) [35:35]
Q: Seem to be a lot of 3s [36:52]
Q: Glide [37:40]

Some other things in the display menu [38:28]
Menu: Key mode [38:34]
Envelope retrigger
Gate source (keyboard, ext. audio)
Scales (per patch and global)
Pitch/mod wheel, slider

Ease of assigning slider [40:41]
Deep navigation in display/encoders [41:28]
Dual effects [42:18]
Question: Stereo outs [42:47]
Sequencer 4x16x16 [44:00]
4 CV In/Out [45:28]

Sequencer workflow, quick & easy [45:56]
Ratcheting [48:34]
Swing, Clock Divide [49:16]
Sequence Lock [49:57]
Reset (Track Length) [50:47]
(independent track lengths)
Cue Program [51:51]

Preset Demo (a Carson Day sound) [53:13]
Paraphonic Mode [54:51]
Paraphonic patch (sound) [55:30]
Paraphonic Sequencer Mode [56:30]
Question: 64-note sequencer [58:06]
Question: Engaging Paraphonic Mode [58:47]
Arpeggiator [59:50]
Q: CV Out as Mod Destination [1:01:28]
Q: Modulate effects parameters [1:01:59]
Q: CV In and Modulation Matrix [1:03:26]


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