Demystifying Log vs. Linear, the power of 16 bit, and High Dynamic Range with DoP Alister Chapman

At Cine Gear Expo 2017, acclaimed instructor and DoP Alister Chapman separates the myths from the realities of a 16-bit workflow. While always highly desirable, 16-bit has long been considered cumbersome and difficult to manage. Now, since the introduction of X-OCN - Sony’s easy-to-work with 16-bit linear recording format – it’s as easy to work with as conventional 10-bit codecs.

Discover unique features of the F55 and R7 recorder such as 4K recording at 120fps. Compare log and linear recordings and how the extra information improves image quality, especially for HDR productions. Learn how to best expose 16-bit as well as S-Log2 / S-Log3. Discover how to get HDR low noise images that grade easily. Explore the benefits of linear content in post-production and how color managed workflows, including ACES, makes working with Sony’s RAW and X-OCN easy. Examine how the F55’s extended color gamut brings an HDR production to life.

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