Breaking Down Alanis Morissette’s ‘Jagged Little Pill’ with Engineer/Mixer Chris Fogel

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Chris Fogel is a GRAMMY-winning recording engineer and mixer based in Los Angeles, California. He has had the pleasure of recording and mixing scores and soundtracks for over 170 major motion pictures and television shows, including the Oscar-winning score to Black Panther, as well as The Mandalorian, A Beautiful Day in the Neighborhood, Tropic Thunder, The Greatest Showman, The Secret Life of Walter Mitty, Superbad, and many others.

He has also worked with dozens of major recording artists, including Alanis Morissette, Justin Timberlake, U2, Childish Gambino, Nine Inch Nails, Sheryl Crow, Aerosmith, St. Vincent, Jose Gonzalez, and Robbie Robertson. Chris is a GRAMMY nominee as well as a Cinema Audio Society (CAS) nominee. He won each of these awards in 2019 and 2012 respectively.

Chris notably engineered and mixed much of Alanis Morissette’s smash hit record, Jagged Little Pill, alongside Francis Buckley. First released June 13, 1995, the album is celebrating its 25th birthday this year.

Jagged Little Pill was a #1 album in thirteen countries and sold over 33 million copies worldwide. Morissette became the first Canadian artist to achieve a double diamond certification.

Jagged Little Pill was also nominated for a staggering 9 GRAMMYs, winning 5. It won Album of the Year, making Morissette the youngest artist in history to achieve the honor at just 21 years old. She held the record until 2010, when Taylor Swift won this prize with Fearless at the age of 20.

This record was her worldwide debut, as her first two albums were only released in Canada. It was also a stylistic departure from her previous projects, due in part to her collaboration with legendary producer Glen Ballard (Michael Jackson, Aerosmith, Shakira).

The experimentation between herself and Ballard resulted in an alternative rock album influenced by post-grunge and pop rock, and features guitars, keyboards, drum machines, and harmonica. The lyrics touch upon all sorts of relatable themes of aggression and heartache, while Ballard lent a pop sensibility to Morissette’s angst.

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