Antonio Gades y Cristina Hoyos (baile), El Lebrijano, Emilio de Diego – Seguiriyas / CC Eng, Esp

1969
02:24 - Te fuiste de mi vera
04:50 - Ahora tu vienes hincaíto de rodillas
06:34 - Santiago y Santa Ana
Antonio Gades (Antonio Esteve Ródenas, 1936 Elda, Alicante – 2004 Madrid)
Cristina Hoyos Panadero (1946 Sevilla, Spain) - castañuelas / castanets
Cante: El Lebrijano (Juan Peña Fernández, Lebrija, Sevilla, 1941 – 2016)
Toque: Emilio de Diego (1943, Madrid)
Seguiriyas*
Seguiriyas have very few lyrics and lots of wailing and are difficult to interpret. They reflect the suffering of human relationships, love and death. They appeared in the late eighteenth century and became more widespread at the start of the nineteenth century.
According to some authors, together with the soleá, the Seguiriyas is one of the most important historical pillars of the cante jondo, that is particularly strongly influenced by the interpretation of the Andalusian gitanos.
Etymologically, its name is supposed to derive from the “seguidilla”. A phonetic corruption has deformed it in different terms: “seguiriya”, “siguiriya”, “seguirilla” or “siguerilla”. Seguiriya” derived from primitive “tonás”, being created between Seville and Cadiz, los Puertos, Jerez and Triana neighborhood.

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