Claude Monet and Impressionism at The Art Institute of Chicago - Art History Program with Robert Kelleman.
Oscar-Claude Monet (November 14, 1840 - December 5, 1926) was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris. Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper Le Charivari.
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the world. It is based in the Art Institute of Chicago Building in Chicago's Grant Park. Recognized for its curatorial efforts and popularity among visitors, its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research.
As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and Ryerson and Burnham Libraries, one of the nation's largest art history and architecture libraries.
The growth of the collection has warranted several additions to the museum's 1893 building, which was constructed for the World's Columbian Exposition. The most recent expansion, the Modern Wing designed by Renzo Piano, opened in 2009 and increased the museum's footprint to nearly one million square feet, making it the second-largest art museum in the United States, after the Metropolitan Museum of Art. The Art Institute is associated with the School of the Art Institute of Chicago, a leading art school, making it one of the few remaining unified arts institutions in the United States.
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Your host for this program is Robert Kelleman, the founder/director of the non-profit community organization Washington, DC History & Culture.
Washington, DC History & Culture
A non-profit community organization.
Experience the history and culture of Washington, DC - and the world!
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We look forward to seeing you - thanks!
Robert Kelleman
[email protected]
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