CANON R5: IPB-LIGHT vs ALL-I. DID CANON JUST CHANGE THE WHOLE GAME?

An in depth look at the incredible IPB-Light Codec for the Canon R5/R6.
DEAF DIRECTOR Custom Cinema Canon CLog3 LUTS: https://www.deafdirector.com/product-...

=== WHAT I SHOOT MY YOUTUBE CHANNEL WITH ===
CANON R5: https://amzn.to/3fRhRI2
SMALLRIG CAGE FOR R5: https://amzn.to/3cYUBG0
SMALLRIG NATO TOP HANDLE: https://amzn.to/2Q4SLug
PANASONIC GH5: https://amzn.to/3dArbx2
ATOMOS NINJA V: https://amzn.to/3dIfYL5
CANON 16-35mm/2.8: https://amzn.to/3wtMV6u
FALCON EYES RX-24TDX: https://amzn.to/3fNQtL5
APUTURE 120D: https://amzn.to/2PIboV9

DISCLAIMERS
This video was not paid for by outside persons or manufacturers.
No gear was supplied to me for this video. I purchased this gear to test for myself.

Heads up! This is a completely independent and honest review. My posts may contain affiliate links. If you buy something through one of these links you won't pay a penny more, but I'll get a small commission, which helps to keep this station going. Thanks!

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CUSTOM FILMMAKER APPAREL: https://www.deafdirector.com/shop
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If you're interested in contacting Bryan for work please email me at
[email protected]

CHAPTERS
0:00 Introduction
0:16 Intro to IPB-Light
1:35 File Size Comparison
2:49 4K ALL-I vs 4K IPB-Light
4:54 8K IPB-Light vs 4K ALL-I
5:42 Motion Test
6:00 4K IPB-Light vs 1080 ALL-I
6:15 Dark Studio Test
8:05 Why This Matters

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Bryan Redding is an award-winning Cuban American Cinematographer and Director based in Athens, Georgia. He loves being on set and sharing his knowledge. In addition to his love of cinematography, Bryan has complete high range hearing loss which, according to his audiologist, leaves him functionally deaf in certain environments, hence making him the Deaf Director. This has not stopped Bryan from continuing his passion on set and behind the camera, and he uses his experience with his physical condition to propel his unique vision.

The content of this video and my opinions were not reviewed or paid for by any outside persons.

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