Скачать или смотреть Luciano Pavarotti sings 'Dalla sua pace'.

Dalla sua pace, la mia dipende
Quel che a lei piace, vita mi rende
Quel che le incresce
Morte mi dà
Morte, morte mi dà
S′ella sospira
Sospiro anch'io
È mia quell′ira
Quel pianto è mio
E non ho bene
S'ella non l'ha
E non ho bene
S′ella non l′ha
E non ho bene
S'ella non l′ha
Dalla sua pace la mia dipende
Quel che a lei piace, vita mi rende
Quel che le incresce
Morte mi dà
Morte, morte mi dà
Dalla sua pace, la mia dipende
Quel che a lei piace, vita mi rende
Quel che le incresce
Morte mi dà
Morte, morte mi dà

Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine, Don Juan, as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as opera buffa). It was premiered by the Prague Italian opera at the National Theatre (of Bohemia), now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time[1] and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". The Estates Theatre in Prague, venue of the world premiere of Don Giovanni in 1787. The theatre had opened four years earlier as the Comital Nostitz National Theatre (Gräflich Nostitzsches Nationaltheater). The opera was commissioned after the success of Mozart's trip to Prague in January and February 1787. The subject may have been chosen because the sub-genre of Don Juan opera originated in that city. Lorenzo Da Ponte's libretto is based on Giovanni Bertati's for the opera Don Giovanni Tenorio, which premiered in Venice early in 1787. In two aspects he copied Bertati: by opening with the Commendatore's murder and by avoiding mention of Seville (for Bertati the setting was Villena, Spain; Da Ponte simply writes "city in Spain"). The opera was supposed to premiere on 14 October 1787 for Archduchess Maria Theresa of Austria's visit, but it was not ready in time and Le nozze di Figaro was substituted. Mozart recorded its completion, finally, on 28 October, the night before the premiere (29 October). The opera was rapturously received, as was often true of Mozart's work in Prague. The Prager Oberpostamtzeitung reported, "Connoisseurs and musicians say that Prague has never heard the like", and "the opera ... is extremely difficult to perform." The Provincialnachrichten of Vienna reported, "Herr Mozart conducted in person and was welcomed joyously and jubilantly by the numerous gathering."