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HOMEBOUND (Oscar Shortlisted) | A Passport to Contemporary India — Neeraj Ghaywan Interview.

We love foreign films at INSIDE THE ARTHOUSE. When they work, they’re more than entertainment—they’re a passport.

In this episode, we sit down with Neeraj Ghaywan to discuss his Oscar-shortlisted drama HOMEBOUND, a powerful portrait of contemporary India.

That’s exactly what happens in director Neeraj Ghaywan’s powerful new drama HOMEBOUND—an Oscar-shortlisted film set in contemporary India that follows two lifelong friends trying to build a future against overwhelming odds. One is Muslim, the other Dalit, and their bond is tested by caste prejudice, religious discrimination, and the brutal realities of social class.

Inspired in part by a New York Times report from 2020, HOMEBOUND doesn’t soften what it shows us. It confronts the everyday humiliations that shape opportunity—and in a devastating final act, captures the life-shattering consequences of the COVID-19 lockdown, especially for migrant workers, who were among the hardest hit by the pandemic’s economic and social fallout.

Executive produced by Martin Scorsese, HOMEBOUND has emerged as a standout in the Best International Feature Oscar race, and it should not be counted out.

Neeraj Ghaywan was in Los Angeles for screenings, and Greg jumped at the chance to sit down with him in person at the Royal Theatre for a one-on-one conversation. We invite you to listen in.

Listen now to our conversation with director Neeraj Ghaywan — on INSIDE THE ARTHOUSE.

@Laemmle @officialRaphaelSbarge @homeboundthefilm @dharmamovies @netflix @neeraj.ghaywan @ishaankhatter @vishaljethwa06@janhvikapoor


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Video podcast exploring independent film, arthouse cinema, and the film industry. In-depth filmmaker interviews, behind-the-scenes conversations, and film analysis covering new releases, repertory cinema, and classic films. Hosted by Greg Laemmle & Raphael Sbarge in partnership with Laemmle Theatres, Inside the Arthouse focuses on film distribution, the movie business, and the creative process behind independent filmmaking