Скачать или смотреть 📅Raag Puriya Dhanashri Vocal - Mashkoor Ali Khan Sahib Teaches: Aroh/Avaroh, Pakad, Bandish, Sargam

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Thaat: Purvi
Aarohi: 'N r G M d N r' S'
Amrohi: r' N d P---M G M r G r S
Vadi: P
Samvadi: r
Pakard: 'N r G---MP---dP---Mg---M r G---r S
Time: 3 pm - 6 pm
Zaat: Shadav - Sampuran

Bandish Bol:
Payaliya Jhankaar Mori
Jhannan Jhannan Baaje Jhankari
Piya Samjhaun Samjhat Nahi
Saas Nanand Mori Degi Gaari
(please comment for corrections)


Raag Puriya Dhanashri is a raga in Hindustani classical music. It belongs to the Purvi thaat and has been derived from the defining raga of that thaat – Raga Purvi. The notes of Puriya Danashree correspond, in Western terms, to the double harmonic scale with an augmented fourth.

The scale of Puriya Dhanashri is:
Sa (shuddha)
Re (komal)
Ga (shuddha)
Ma (teevra)
Pa (shuddha)
Dha (komal)
Ni (shuddha)

The vadi (most important note) of Puriya Dhanashri is the pancham (Pa) and the samvadi (secondary important note) is the rishabh (Re). The raga is sung at dusk, during the sandhi prahar (the fourth hour of the day).

Puriya Dhanashri is a melodious and lyrical raga. It is said to be a raga of compassion and devotion. The raga is often used to express feelings of love, longing, and peace.

Some of the famous compositions in Puriya Dhanashri are:
"Om Puriya Dhanashri" by Jagjit Singh
"Dhanashree" by Begum Parveen Sultana
"Puriya Dhanashri" by Rashid Khan
"Jai Jai Shiv Shankar" by Pandit Jasraj
"Kedar Gharana Puriya Dhanashri" by Pt. Kumar Gandharva

Puriya Dhanashri is a challenging raga to sing. It requires a good understanding of the raga's nuances and a strong command of the voice. However, it is also a very rewarding raga to sing, and it can be a powerful medium for expression.

I hope this article has helped you to understand Raag Puriya Dhanashri. If you would like to learn more about this raga, I recommend listening to some of the recordings mentioned above, or taking a class from a qualified Hindustani classical musician.

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Intro: (0:00)
Pakard: (0:22)
Bandish: (0:48)
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