BEST TROMBONE SOUND! J.S.Bach "Arioso" - Lukas Helsel. Play Along!

Happy Monday BrassNation! We have a gorgeous Solo with Piano Version of Johann Sebastian Bach's "Arioso" arr. Drew Fennell recorded for you by Lukas Helsel today. This amazing arrangement comes in three versions: B flat Major, C Major and F Major with Transposing Parts in every practical key and clef (Full List Below). Hope you enjoy this Trombone Solo Version. DOWNLOAD SHEET MUSIC & PIANO BACKING TRACKS at: https://www.matonizz.com/product/arioso/

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Musicians:

Lukas Helsel (Trombone)
Online Lessons: [email protected]
Instrument Used:
https://www.dfmusicinc.com/John-Packe...
https://www.dfmusicinc.com/John-Packe...
   / @lukashelsel     / helseltrombone  
https://www.instagram.com/helsel.trom...

Birute Stundziaite (Piano)

Dmitry Babkin (Sound Engineer)
[email protected]

Suggested Instrumental Combinations:

The arrangement may be played by many every brass instrument, in one key or another. Because of the wide range of the piece, some parts may be rather high or low. The player determines if this is agreeable.

F Major Version:
Cornet in Eb (opt. Trumpet)
Cornet in C (opt. Trumpet)
Cornet in Bb (opt. Trumpet/Flugelhorn)
Horn in F
Horn in Eb
Trombone (Tenor Clef)
Euphonium T.C. (opt. Baritone)
Euphonium B.C. (opt. Trombone/Baritone)

C Major Version:
Cornet in C (opt. Trumpet)
Cornet in Bb (opt. Trumpet/Flugelhorn) Trombone (Tenor Clef)
Euphonium T.C. (opt. Baritone)
Euphonium B.C. (opt. Trombone/Baritone)

Bb Major Version:
Cornet in Bb (opt. Trumpet/Flugelhorn)
Horn in F
Horn in Eb
Euphonium T.C. (opt. Baritone)
Euphonium B.C. (opt. Trombone/Baritone/Tuba)
Tuba in Eb
Tuba in Bb

Performance Notes:

The “Sinfonia” from Bach’s Cantata 156 (now known widely has Bach’s “Arioso”) began its life as part of an oboe concerto and later was incorporated as the intermezzo to his “Concerto” for Harpsichord in F minor.
The solo line may be freely ornamented (and hopefully tastefully ornamented). As with many Baroque Adagios, the tempo may be felt at the eighth-note, but always the soloist should connect the notes in a cantabile manner. There is some articulation noted in this arrangement, however, the player needn’t feel constrained to them. Legato is the main goal, and if that is best achieved by adding slurs on occasion, then he or she should do so. For the sake of consistency, repeated motivic elements would ideally be articulated in the same way.

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0:00 - Arioso (Trombone Solo with Piano in F Major)
2:48 - Best Price Instrument Bundle Deals