Скачать или смотреть THE SPOOKY SHOW WITH JON AND VE

Vivien is on holiday this month, and so her place will be taken for the next five weeks by Jon and Ve (to be known for the next five weeks to be known as “Spooky Ve“) and they shall do their best to continue in the best standards set by dear Vivien. This week they have joined by Ian Squibbs and our special guest Matthew Williams.

Matthew Williams stands as a controversial and pivotal figure in the modern history of crop circles, known for being the first person in the UK to be successfully prosecuted for damaging a farmer's crop while creating a formation. Unlike anonymous artists or teams who operate under the cover of darkness, Williams has been very public about his methods, openly demonstrating the tools of the trade: simple wooden planks, ropes, and a homemade "stomper" board used to flatten the crops in precise patterns. His work, and his willingness to discuss it, pulls back the curtain on the phenomenon, challenging the mystical narratives of extraterrestrial or earth-energy origins that many enthusiasts, or "cereologists," passionately believe in. For Williams, the creation is a complex art form, requiring geometric planning, physical endurance, and a team of dedicated collaborators to execute intricate designs efficiently in a single night.

Despite the controversy, or perhaps because of it, Matthew Williams is regarded as one of the most skilled and influential makers in the world. His designs are often geometrically sophisticated and aesthetically powerful, rivaling the most celebrated formations attributed to unknown forces. By publicly claiming his work, he forces a conversation about the nature of the phenomenon, asking whether the mystery and magic are diminished by knowing a human hand is responsible, or if the true marvel lies in human creativity, coordination, and the desire to create something wondrous and temporary on a grand scale. In this sense, Williams is not just a maker of circles, but a central character in the ongoing debate between art, mystery, and agriculture

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