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Flute: MARIO CAROLI
Music: MARÍA EUGENIA LUC
Recording: RADIO FRANCE - La Muse en Circuit
Premiere: FRANCE MUSIQUE - Création mondiale-intégrale - Anne Montaron

Figlia dell'aria is a work dedicated to Mario Caroli, in which music is conceived as a daughter of the air, born through the air, which allows it to generate and link the sounds of the flute in C.
Figlia dell'aria is divided into 5 movements. The first of them is a timbral-rhythmic melody that fulfils a quasi-expository function, presenting, in a very broad line, the materials that will later be developed in the following movements.
On the other hand, each of the others movements (II, III, IV and V) explore different types of polyphonic spaces: horizontal polyphony (counterpoint), vertical polyphony (homophony), oblique polyphony, virtual polyphony and of course monody, relating in a way organic the intervallic, timbres and registers through rhythmic cells organized fractally in contexts of free, pulsed, or metric rhythms.

This third movement functions as a kind of centre of gravity or turning point of the entire work, fractally projecting a ternary segmentation like that of the two previous movements to the macroform.
For this, the sound materials (located in the low and sub-low register of the flute) plus the rhythm used play a fundamental role: at a fast speed, various tonic, unstressed sounds, and noises (percussive, aeolian and iterated) are organized within a pulsed rhythmic context, where the recurrence of melodic turns determines its trajectory.
It is a movement that evolves from quick gestures cut by silence to a dizzying central continuous moto, and then gradually dissolves through new interruptions of silence, returning to a climate like the one it began.
These resources (temporal and timbral) give rise to a type of oblique polyphony, generated by the presence of recurring turns produced by contrasting timbral qualities of the flute, designing multiple lines that intersect, interrupt or dialogue.