Orlando by Virginia Woolf II Summary and Analysis II Nagendra's Metamorphosis

Описание к видео Orlando by Virginia Woolf II Summary and Analysis II Nagendra's Metamorphosis

Through this video I bring forth summary and analysis of ORLANDO by VIRGINIA WOOLF with important points which will form most important questions from this text.

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About Host
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Dr.Nagendra Singh Gangola is Assistant Professor (English) in Uttarakhand Open University, Haldwani, and has carved his niche by qualifying UGC NET (English) severally, USET (Topper’s Rank) and many states SET exams. He has been working in the field of English since last 21 years. He runs the oldest and most authentic Institute (Metamorphosis) for NET/SET/PhD ENTRANCE/M.A ENGLISH/LT/LECTURER/GRAMMAR (all One Day Competitions) at Haldwani (Uttarakhand).His students have marked their excellence in all the fields. He has created this U Tube channel to serve all those students who really wants to feel the core of English Literature & Language by developing a keen insight to the subject. He devotedly guides you in getting through all the competitions related to English Language.
For online classes contact 74175-66874

About Metamorphosis
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Literature is a vast area where numerous intellectuals have marked their excellence in various forms of expressions. We need to develop a particular attitude to understand the ins and outs of their works. It is a naked truth that to read between the lines of their work is certainly not a cake walk. It takes a lot of energy, self motivation, and an exact attitude to understand them properly. As Coleridge says, “It is the Secondary Imagination which distinguishes a writer from the common man”. We also require at least the tint of that secondary imagination in order to understand them. Do we have that Secondary Imagination? This question made me ponder over the way our students are dealing with Literature. This has provided the spark to me to do something significant in the field of English literature.
Dear Students, You will have to feel the carved edges of Grecian Urn, you will have to imagine as strongly as Coleridge did, and be as critical as Dr. Johnson while analysing works in order to draw the aesthetic pleasure in art and Literature. Unfortunately we are far away from such approaches. NAGENDRA’S METAMORPHOSIS has carved a niche in instilling such approach in students. We have proved it through our achievements in the short span of some years.

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