Tribute to Barbara LaMarr

Barbara La Marr (July 28, 1896 – January 30, 1926) was an American stage and film actress, cabaret artist, and screenwriter.

La Marr was known as "The Girl Who Is Too Beautiful," after a Hearst newspaper feature writer, Adela Rogers St. Johns, saw a judge sending her home during the police beat in Los Angeles because she was too beautiful and young to be on her own in the big city.

La Marr was born in 1896 as Reatha Dale Watson to William Wallace and Rosana "Rose" Watson in Yakima, Washington (La Marr later claimed she was born in Richmond, Virginia).[1] Her father was an editor for a newspaper, and her mother had a son, Henry, born in 1878, and a daughter, Violet, born in February 1881, from a previous marriage. The couple wed some time during 1884, and had a son, William Watson, Jr., born in June 1886 in Washington. In the 1920s, Watson become a vaudeville comedian under the stage name of "Billy Devore." The Watsons lived in various locations during La Marr's formative years. By 1900, she was living with her parents in Portland, Oregon, with her brother William, her half-sister Violet Ross, and Violet's husband Arvel Ross. As a child, La Marr also performed in a few stage productions and performed as a dancer in vaudeville.[1]

By 1910, La Marr was living in Fresno, California, with her parents. Some time after 1911, the family moved to Los Angeles. In January 1913, La Marr's half-sister, now going by the name of Violet Ake, took her 16-year-old sister on a three-day automobile excursion with a man named C.C. Boxley. They drove up to Santa Barbara, but after a few days La Marr felt that they were not going to let her return home. Ake and Boxley finally let La Marr return to Los Angeles after they realized that there were warrants issued for their arrests accusing them of kidnapping. This episode was published in several newspapers, and La Marr even testified against her sister, but the case was eventually dropped.

La Marr's name appeared frequently in newspaper headlines during the next few years. In November 1914, she came back from Arizona and announced that she was the newly widowed wife of a rancher named Jack Lytell and that they were supposedly married in Mexico. As legend goes, Lytell became enamored of La Marr as he saw her one day riding in an automobile while he was out on horseback. He rode up to her car and swept her on his horse and rode off with her. They were married the next day. She also stated that she loathed the name Reatha and preferred to be called by the childhood nickname "Beth."

After marrying and moving with her second husband to New York City, La Marr found employment writing screenplays at Fox studios using the name "Folly Lytell". Her association with filmmakers led to her returning to Los Angeles and making her film debut in 1920. Over the next few years she acted frequently in films and was widely publicized as "The Most Beautiful Girl In The World." With this, she rapidly shot to stardom.

La Marr made the successful leap from writer to actress in Douglas Fairbanks' The Nut (1921), appeared in over thirty films, wrote seven screenplays for United Artists and Fox Film Corporation, and danced in musical comedies on Broadway. She is also said to have filmed dancing shorts in New York City, Chicago, and Los Angeles, with such diverse partners as Rudolph Valentino and Clifton Webb.

Among La Marr's films are The Prisoner of Zenda and Trifling Women, both 1922 releases directed by Rex Ingram. Although her film career flourished, she also embraced the fast-paced Hollywood nightlife, remarking in an interview that she slept no more than two hours a night. La Marr also began abusing drugs and alcohol and reportedly developed a cocaine and heroin habit. Her lifestyle eventually began to affect her career and she was dropped by M-G-M. La Marr signed with First National Pictures where she appeared in three films which proved to be her last.