【KONG Ⅷ】Relaxing Ambient Music and Visual.

《KONG》系列多是实验和调制后的结果。随机和重复的声音与视觉是这个系列呈现的样子。
声音部分通常是通过某些音频效果器调制后产生的。视觉部分通常是某些废镜头经过一系列调制后产生的。
从《KONG Ⅴ》开始，我在制作时加入了一些限制，制作声音部分时只使用一条音频轨道。制作视觉部分时只使用一条视频片段或者只使用一个视频发生器。这是受到 Robert Henke 先生的讲座《Give me limits!》的启发。
由于制作时我只需要一个想法，或者是出于对于某一个效果器的研究，所以它在制作时通常会很快。
我愿称之为「批量生产的功能性艺术」。
《PLAY KONG》系列是 《KONG》系列的衍生。最终的成品是我在工作室玩儿《KONG》的工程产生的。
整个视频是用OBS Studio采集录制完成。画面上方显示的波形是采集了Minimeters的窗口。这是一个非常棒的工具。它展示了下方Ableton Live装置链发出的声音。由于声音轨道通常存在多个随机化的LFO调制，这也许会产生非常奇怪的噪音或者是会出现美妙的声音。
视觉部分是采集Videosync的窗口，这是一个可以在Ableto Live内制作的视觉的工具，也非常棒。同样的，视觉轨道中也存在着大量的随机化的LFO调制。所以下一帧画面几乎可以说是未知的。这很美妙，不是吗？
希望你能从中获得放空的乐趣！
制作：TIANLE------------------------（The following text is translated using translation software, please understand if you have trouble reading it.）
The 《KONG》series mostly consists of experimental and modulated results. The random and repetitive sounds and visuals are how this series is presented. The sound part is usually generated through modulation by some audio effects. The visuals often come from discarded footage that has been modulated through a series of processes.
Starting with 《KONG V》, I introduced some limitations during production. For the sound part, I only use one audio track, and for the visual part, I only use one video clip or a single video generator. This was inspired by Robert Henke's lecture 《Give me limits!》
Since I only need one idea or focus on researching a particular effect during production, the process usually goes quickly. I like to call it "functional art in mass production."
The 《PLAY KONG》series is a derivative of the《KONG》series. The final product is created from my studio sessions playing with the 《KONG》 project. The entire video is recorded using OBS Studio. The waveform displayed at the top of the screen is captured from the Minimeters window, a fantastic paid tool that shows the sound produced by the device chain in Ableton Live below. Due to the multiple randomized LFO modulations in the sound track, this might result in very strange noises or beautiful sounds.
The visual part is captured from the Videosync window, which is a great tool for creating visuals inside Ableton Live. Similarly, there are many randomized LFO modulations in the visual track, so the next frame of the picture is almost unknown. Isn't that wonderful?
I hope you can enjoy the fun of spacing out from it！
Produced by TIANLE