HARI MERO JEEVAN PRAN ADHAR PT RAM MARATHE LIVE 28 20 MIN IN MEHFIL FOLLWED BY LIVE ON STAGE 15

Composed and sung by pt ram marathe
live hari mero jeevan pran adhar meerabai bhajan from
famous sangeet natak mandarmala by vidyadhar gokhale.
Here we will enjoy same song/ bhajan in 2 forms with slight higher speed/ lay on stage. both are equal effective. but and even more forceful on stage.to maintain total speed/ lay of drama espl speech and songs.
Firstly we will listen live in 1971 mehfil
and followed by live on stage in 1967
300 th show at shivaji mandir dadar mumbai
live in mehfil is for 28 min 20 sec and accompanied by
tabla pt s v patwardhan and
harmonium by pt. govindrao patwardhan.
and after that live on stage for 15 min
accompaniments are
tabla pt bhojraj salvi
reed organ pt tulsidas borkar / pt govindrao patwardhan and
violin pt madhukar barve
sangeet mandarmala first show was on 26 march 1963
it has completed 1200 shows with main singer actors pt ram marathe pt prasad saokar and dr. jyotsna mohile.and coartist shankar ghanekar rajaram shinde afterwards jaymala shiledar bhalchandra pendharkar

Musical Operas have a great tradition in several European countries.
In India, this traditioninitiated first in Maharashtra through popularly known as “ Marathi Sangeet Rangbhoomi / theatre. In year 1843 first Marathi musical drama Seeta Swayamwar was played at sangli. After this the musical dramas like in 1880 sangeet shakuntal and in 1882 sangeet saubhadra became part and parcel of Indian and Maharashtra culture
Today.  During 1960s the new era of sangeet natak started with historic and revolutionary natak  “Sangeet Mandarmala” by renowned writer Vidyadhar Gokhale . Mandarmala was really instrumental as rebirth  of declining Marathi Sangeet Rangbhoomi. By more than 1200 public shows – all over india.
“Mandarmala” literally enthralled and created new wave of sangeet natak- because of melodious compositions based on purely Hindustani classical music and its various forms by Sangeet Bhushan Pandit  Ram Marathe.