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Terry Riley's Keyboard Study No.2 in Hüseyni makam
Arrangement and performance by Tony Italia
Guitar by microtonalguitar.org
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KEYBOARD STUDY No. 2 IN HÜSEYNİ MAKAM (24 edo)
TERRY RILEY, 1935
Arrangement Tony Italia

To play this piece in Hüseyni makam transposition may be necessary. In order to convert this piece into Hüseyni makam we can think of it in F dorian. Then, by lowering the 2nd and 6th scale degrees by 35 cents or 50 cents depending on your guitar and preference we end up with the notes from the Hüseyni makam.

Any cell can be played with a guitar pick. In order to arpeggiate the cells in column B, I suggest using a spider capo, and playing in standard tuning. The spider capo can hold the microtones on the 5th and 1st sting (the quarter tone below the 9th fret.) In addition, the index finger (or another spider capo) may be used to hold down the A on the 4th string (7th fret). Of course, this is only one of many different ways to play these notes. The following transcription and open string pattern demonstrate the method used on all arpeggiated cells in the performance.