"De profúndis clamávi ad te, Dómine" (Out of the depths I have cried to Thee, O Lord).
A cinematic and meditative rendition of Psalm 129 (130), the De Profundis. This ancient penitential psalm is a cry for mercy and a testament to profound hope in the Lord's redemption. This version includes the traditional Doxology (Gloria Patri) and the Requiem Aeternam, often associated with prayers for the faithful departed.
[LYRICS - LATIN / ENGLISH]
(Verse 1)
De profúndis clamávi ad te, Dómine; (Out of the depths I have cried to thee, O Lord;)
Dómine, exáudi vocem meam. (Lord, hear my voice.)
Fiant aures tuae intendéntes (Let thy ears be attentive)
in vocem deprecatiónis meae. (to the voice of my supplication.)
(Chorus)
Si iniquitátes observáveris, Dómine; (If thou, O Lord, wilt mark iniquities;)
Dómine, quis sustinébit? (Lord, who shall stand it?)
Quia apud te propitiátio est; (For with thee there is merciful forgiveness;)
Et propter legem tuam sustínui te, Dómine. (and by reason of thy law, I have waited for thee, O Lord.)
(Verse 2)
Sustínuit ánima mea in verbo eius; (My soul hath relied on his word;)
sperávit ánima mea in Dómino. (my soul hath hoped in the Lord.)
A custódia matutína usque ad noctem, (From the morning watch even until night,)
speret Israël in Dómino. (let Israel hope in the Lord.)
(Bridge)
Quia apud Dóminum misericórdia, (Because with the Lord there is mercy,)
et copiósa apud eum redémptio. (and with him plentiful redemption.)
Et ipse rédimet Israël (And he shall redeem Israel)
ex ómnibus iniquitátibus eius. (from all his iniquities.)
(Doxology)
Glória Patri, et Fílio, et Spirítui Sancto. (Glory be to the Father, and to the Son, and to the Holy Spirit.)
Sicut erat in princípio, et nunc, et semper, (As it was in the beginning, is now, and ever shall be,)
et in saecula saeculórum. Amen. (world without end. Amen.)
(Outro)
Réquiem aetérnam dona eis, Dómine. (Eternal rest grant unto them, O Lord.)
Et lux perpétua lúceat eis. (And let perpetual light shine upon them.)
Amen.
Gregorian Chant has always been regarded as the supreme model for sacred music, so that it is fully legitimate to lay down the following rule: the more closely a composition for church approaches in its movement, inspiration and savor the Gregorian form, the more sacred and liturgical it becomes; and the more out of harmony it is with that supreme model, the less worthy it is of the temple.
— Pope St. Pius X
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