-- 00:54 Pre concert warm up.
-- 02:21 Mozart, Adagio B Minor K. 540.
-- 13:58 Liszt, Sonata B Minor S. 178."Chopin´s playing evoked all the sweet and sorrowful voices of the past. Chopin sang the tears of music...in a whole gamut of different forms and voices, from that of the warrior to those of children and angels..."
Bohdan Zaleski, polish poet, personal diary 2 feb 1844.
"Under the fingers of Chopins´s hand the piano became the voice of an archangel, an orchestra, an army, a raging ocean, a creation of the universe, the end of the world."
Solange Clesinger.
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This recording is dedicated to the loving memory of my parents, who admired ivo so much, specially my mother, who rests in peace in Pamplona, Spain, where ivo played so tenderly, just touched me, more than ever,
this recording is also dedicated to my mentors, music and life maestros, Rafael Arroyo pupil of Alfred Cortot and at, son of muses, too shy..
They all are like chopin´s playing.. just like ivo´s sound.. sweet.. sweet like angels.. pure, childish.. loving.
Their look in their eyes.. specially my mom.. created a universe, the universe... every single time i saw her.. and still does... even in a humble picture, so magic.. thank God.. thank them.. thank you ivo.
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Ivo Pogorelich was born in Belgrade in 1958 as son of a musician. He received his first piano lessons at the age of seven and went to Moscow at the age of twelve to study at the Central Special Music School and then at the Tchaikowsky Conservatory. In 1976 he began intensive studies with the renowned pianist and teacher Aliza Kezeradze, with whom he was married from 1980 until her untimely death in 1996.
Mme. Kezeradze was able to transmit the spirit and matter of the school of Beethoven and Liszt, the tradition of the Liszt-Siloti school, originated in Vienna and than carried through to the Conservatory of St. Petersburg, flourishing towards the end of the 19th and the beginning of the 20th. Century.
Pogorelich´s sound, concerts and recordings pay homage to this exceptionally refined, visionary, and truly revolutionary woman, who so lovingly made Pogorelich a unique artist of genius.
The New York Times once wrote “He played each note exactly, with such a feeling, such expression, he was an entire orchestra– it was as if he played 200 years ahead of our time”. In this spirit Ivo Pogorelich is known today as a poet of the instrument.
Ivo Pogorelich is not only an artist of the highest caliber, discipline and musicianship, but the archetype of the modern artist, the isolated and courageous master, who finds his own way to new heights of expression, no matter the prejudices or the barriers of misunderstanding raised against him. He stands alone at the beginning of a new epoch like a prophet, mapping the routes that art would take.
Pogorelich´s cathartic and mystical sound, is concerned with the ultimate mysteries that transcend this world. His grandiose, colossal and majestic art, symbolizes the struggle of the human soul to find release from the bonds of its material body. His exquisite and overwhelming music continues to echo throughout the entire performance and beyond, so the action is at once momentary, eternal and complete.
Pogorelich´s interpretations are indescribably beautiful and irresistible. His sound is pure poetry and extremely emotional, yet entirely unsentimental. We are hypnotized by his new and radical naturalness, by his nobility, dignity, severity and sobriety; transporting us to states of wonder, ecstasy, meditation, love and compassion.
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-- Sound and Silence, Life and Death, Time and Space; collapse into the Eternal moment of Infinity.
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"you have to get into the phycological frame of mind in which composers wrote their works in order to discover its secrets.
virtuosity comes from the greek origin virtue.
original is finding the origin Gaudi said.
rachmaninov had arthritis at the end of his life, he was so weak that his sound was very short, that is the reason he played fast, to fill the vacuum.
if you have long sound you are in command to achieve clarity and the hypnotic sound between the notes.
the problem was always the conflict and the difference between the absolute and the relative quality.
beauty in music is like in diamonds, the purest diamond in the world is the Koh-i-Noor, it is the absolute beauty to which others with relative beauty are compared.
work as hard as a galley slave.
one should always try as much as possible to rediscover music as though one is hearing it for the first time, searching everywhere for new meanings and new depths.
the highest function of the artist is to release the spirituality and the emotional immediacy that lie within the score.
sound becomes metaphysical only when you have completely explored all physical possibilities. you should explore until reaching the absurd.
music takes you to another universe of eternity that remains with you after the concert is finished."
Ivo Pogorelich
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