his recording presents Leclair’s complete Violin Concertos. The high technical and musical level earned him the nickname “The Corelli of France”. The solo violin passages are written with a keen eye to violin technique: arpeggios, double and triple stops, bariolages, leaps and virtuoso passages lend colour, breadth and variety.
Composer: Jean Marie Leclair
Artists: Igor Ruhadze (violin) & Ensemble Violini Capricciosi
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After their internationally acclaimed recordings of sonatas and concertos by Pietro Locatelli, Ensemble Violini Capricciosi and their founder/director Igor Ruhadze turn their attention to his most talented pupil, Jean-Marie Leclair.
The stylish idiom and sensivity of this period string ensemble’s previous recordings for Brilliant Classics has won wide critical praise. Concerning their 5CD set of Locatelli’s Sonatas Opp. 8 & 12: ‘Brilliant’s collection should prove a most enjoyable, most entertaining, and, at times, moving experience… Strongly recommended, therefore, across the board’ (Fanfare, July 2013). ‘The Ensemble Violini Capricciosi, founded and led by Igor Ruhadze, who have bravely taken up the cause of performing the virtuoso violin repertory on period instruments, emerge from these recordings as fine advocates… The exuberant Op. 8 sonatas are here brilliantly and at times breathtakingly performed’ (Gramophone, December 2012).
Born in Lyon, Leclair (1697-1764) travelled widely as a young man thanks to his prowess as a violinist, dancer and lace-maker. He created a sensation in Turin as well as Rome, and then on a visit to the German town of Kassel he met the foremost Italian violinist of the age, Pietro Locatelli. Leclair’s own music became even more virtuosically refined thanks to the influence of Locatelli, who became the dedicatee of his first set of concertos, Op.7. Having taken up and then left a prestigious post at the French royal court, Leclair encountered Locatelli once more in Amsterdam, but he soon moved on and lived a somewhat restless life, murdered outside his front door, probably by his nephew.
Leclair’s music reflects his cosmopolitan life, but for all his deep familiarity with Italian music, Leclair remained French to the core. His technical prowess never descends into mere virtuosity for its own sake, making his music a telling embodiment of ‘les Goûts réunis’, or the ‘reunited tastes’ of French and Italian styles, which became an aesthetic rallying-cry for the age.
Tracklist:
Violin Concerto, Op. 10 No. 1 in B-Flat Major:
0:00:00 I. Allegro
0:05:49 II. Andante
0:08:31 III. Giga- Allegro ma non troppo
Violin Concerto, Op. 10 No. 2 in A Major:
0:13:57 I. Allegro ma non troppo
0:19:30 II. Adagio
0:25:22 III. Allegro ma non troppo
Violin Concerto, Op. 10 No. 3 in D Major:
0:30:28 I. Allegro moderato
0:36:02 II. Andante
0:41:27 III. Allegro ma non troppo
Violin Concerto, Op. 10 No. 4 in F Major:
0:47:02 I. Allegro ma poco
0:53:51 II. Aria. Grazioso – Andante
1:00:29 III. Allegro
Violin Concerto, Op. 10 No. 5 in E Minor:
1:06:19 I. Allegro ma poco
1:12:45 II. Largo
1:17:58 III. Allegro
Violin Concerto, Op. 10 No. 6 in G Minor:
1:23:38 I. Allegro ma poco
1:31:58 II. Andante. Aria grazioso
1:35:28 III. Allegro
Violin Concerto, Op. 7 No. 1 in D Minor:
1:42:31 I. Allegro
1:46:05 II. Aria. Grazioso
1:50:42 III. Vivace
Violin Concerto, Op. 7 No. 2 in D Major:
1:55:15 I. Adagio – Allegro ma non troppo
2:02:20 II. Adagio
2:06:20 III. Allegro
Violin Concerto, Op. 7 No. 3 in C Major:
2:11:57 I. Allegro
2:16:52 II. Adagio
2:24:16 III. Allegro assai
Violin Concerto, Op. 7 No. 4 in F Major:
2:28:08 I. Allegro moderato
2:33:35 II. Adagio
2:39:07 III. Allegro
Violin Concerto, Op. 7 No. 5 in A Minor:
2:42:55 I. Vivace
2:48:14 II. Largo – Adagio
2:54:01 III. Allegro assai
Violin Concerto, Op. 7 No. 6 in A Major:
2:58:47 I. Allegro ma non presto
3:08:05 II. Aria. Grazioso non troppo adagio
3:13:55 III. Giga. Allegro
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