"Largo al factotum" (Make way for the factotum) is an aria from "Il barbiere di Siviglia" (The barber of Seville) by Gioachino Rossini, sung at the first entrance of the title character, Figaro. The repeated "Figaro"s before the final patter section are an icon in popular culture of operatic singing. The term "factotum" refers to a general servant and comes from Latin where it literally means "do everything".
Because of the constant singing of eighth notes in 6/8 meter at an allegro vivace tempo, the piece is often noted as one of the most difficult baritone arias to perform. This, along with the tongue-twisting nature of some of the lines, insisting on Italian superlatives (always ending in "-issimo"), have made it a masterpiece in which a skilled baritone has the chance to highlight all of his qualities
Largo al factotum della città.
Presto a bottega che l'alba è già.
Ah, che bel vivere, che bel piacere
per un barbiere di qualità!
Ah, bravo Figaro! Bravo, bravissimo!
Fortunatissimo per verità!
Pronto a far tutto, la notte e il giorno
sempre d'intorno in giro sta.
Miglior cuccagna per un barbiere,
vita più nobile, no, non si da.
Rasori e pettini, lancette e forbici,
al mio comando tutto qui sta.
V'è la risorsa, poi, del mestiere
colla donnetta... col cavaliere...
Tutti mi chiedono, tutti mi vogliono,
donne, ragazzi, vecchi, fanciulle:
Qua la parrucca... Presto la barba...
Qua la sanguigna... Presto il biglietto...
Figaro! Figaro! Figaro!, ecc.
Ahimè, che furia! Ahimè, che folla!
Uno alla volta, per carità!
Ehi, Figaro! Son qua.
Figaro qua, Figaro là,
Figaro su, Figaro giù.
Pronto prontissimo son come il fulmine:
sono il factotum della città.
Ah, bravo Figaro! Bravo, bravissimo;
a te fortuna non mancherà.
Sono il factotum della città!
Hopscotch is a 1980 American spy comedy film, directed by Ronald Neame, that stars Walter Matthau, Glenda Jackson, Sam Waterston, Ned Beatty, and Herbert Lom. The screenplay was written by Bryan Forbes and Brian Garfield, based on Garfield's 1975 novel of the same name.
Former CIA field officer Miles Kendig is intent on publishing an explosive memoir that will also expose the dirty tricks of Myerson, his obnoxious, incompetent, and profane former boss. Myerson and Kendig's protégé Joe Cutter are repeatedly foiled in their attempts to capture the former agent and stop the publication of his memoir. He cleverly stays one step ahead of his pursuers as the chase hopscotches around America and Western Europe (Wikipedia)
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