NATHIYA QAWWALI

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Nathiya Qawwali and Mehfil e Milad (singing of hymns) are two different style of Nath singing.
Mehfil e Milad recites at Sufi Majlis without instrumental accompaniments, however rarely one sided skinned Duffs are used in certain cases, and can be solo recital or group singing. But the Nathiya Qawwalis are sung by an ensemble group dedicated only for singing Naths with accompanying musical instruments. Nathya Qawwali's performance includes a rich infusion of hand claps as well.If we examine the very important and interesting aspects and differences of these two variants of Naths, we can see that Nathiya Qawwali is infused with Hindustani classical music by the traditional Qawwals applying innovative and spontaneous girabandi techniques. But Mehfil e Milad only recites the songs with devotion.
NAATH means hymns of the Prophet Muhammad (peace be upon him). Hassan Shire-e Durbar e Risalat, the first Naath poet, and was the first of Sanakhavan (narrator of Naath) Since then, many poets devoted themselves entirely to the writing of the Naaths.Considered the earliest saplings Tala al-Badr al-Alaina, of thenNasheed's material, if we look, lyrics, poetry, Islamic beliefs, history etc , were subject matters. Later Naath became a separate branch of devotional kalaams in praise of the Prophet (peace and blessings of Allaah be upon him). Naath remained and rededicated as an intense kalaam for submission and surrender to Nabi and that combined devotional poetry and vocal music.Although there is a category of Naath in Arabic poetry, it is called 'Mad' or 'Madih'. 
The earliest Naath was written in Arabic during the lifetime of the Prophet Muhammad (peace be upon him). Nazi Qazeeda Mohammedia, Qasida Burd Sharif, and Tala al-Badaru are some of the most influential writings in the Arabic literature, and have contributed to a wide range of world literature, naath travelled from Arabic to Persian, Urdu, Turkish, Punjabi, Sindhi, Pashto, and Seraiki.
The couplets of Maulana Jalaludheen Rumi, Maulana Jamie's Tanam Farsida, Naseema Jane bebat, Ameer Khusru's Nami danam Che Manzil etc had always been favorite item of naath kavans all time, then and now.The tradition of composing Nathu poems in Urdu has a long history. Almost all Urdu poets have written verses praising the Prophet (peace be upon him).
The history of Urdu Nath poetry is as old as Urdu poetry. Khulli Qutb Shah, Wali Dakani, Mirza Sauda, ​​Mir Taqi Mir, Maumin, Karamat Ali Shaheedi and Mirza Ghalib all poets wrote naaths in praise of the Prophet (peace be upon him). It is considered a recognized and distinctive branch of naath poetry. Maulana Kifayat Ali Kafi was honored for making Nath a separate category of poetry.
Maulana Ghulam Imam Shaheed was another poet who initially played an important role in popularizing Naath in Urdu. Hafizlutf then enriched the section of Barelvi Naath. After this first phase, poets like Mohsin Kakorvi and Amir Meenai enriched the branch of Urdu Naath poetry.
Urdu and Persian poetries of Allamma Iqbal are divine streams of Prophetic love. Immersed in the sands, breezes and mountains of Madinah, his lyrics of Ishq Hakiki wrote love poems expressing his love for Habibi.Mohsin Kakorvi nurtured all his poetic talents It is the first Urdu poem dedicated solely to writing. Later, many Urdu poets narrated pathos describing special circumstances in the life of the Prophet. Altaf Hussein Haley, with his famous Musaddas, Madd-o-Jazar-i-Islam, wrote such works. Maulana Ahmad Raza Khan Barelvi is another famous poet of Nath poetry.
Maulana Haley's Muqaddama-e-Sher-o-Sherry is the first book on the art and principles of literary criticism in Urdu, and Amir Meenai's writings defending Mohsin Kakorvi are the first critical discussion of Naath in terms of poetic values
Brilliant writings on the life and personality of the Prophet (peace be upon him) in both Mehfil Naath and Nathiya Qawwali reveals the meaning of pure music and spirituality.
Vocal : Ashraf Hydroz Qawwal

Tabla : Sumith Naik
Keys. : Shabbir Ahmed
Dolak: Sirajudheen Baig
Vocal support : Adil
Music arranged by : Shabbir Ahmed
Cuts : Aysha Firoz, Kochi
Sound & Viedio VL Studio Bangalore