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Скачать или смотреть Frieze London 2023

  • Jane Greaves
  • 2024-02-12
  • 111
Frieze London 2023
Frieze LondonFrieze MastersFrieze Sculptureart fairart showLondonart marketcontemporary art fairFriezecontemporary artmodern artFabian KnechtAlexander levyYinka ShonibareStephen FriedmanSimonette QuaminaPraxisPhilip MouldBoris AnrepAi WeiweiZak OvéCristea RobertsEmilie CharmyBernard BoucheColetteFranz WestGagosianRichard PettiboneCastelli Gallery
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Описание к видео Frieze London 2023

Chapters:

00:00:00 Intro
00:00:11 Greeting, Frieze London is 20 years old
00:01:09 Yinka Shonibare's works at Frieze
00:01:17 Yinka Shonibare's exhibition at Stephen Friedman on Cork Street
00:01:26 Cristea Roberts gallery presents Yinka Shonibare's edition prints
00:02:30 New section Artist-to-Artist
00:02:40 alexander levy gallery from Berlin presents Fabian Knecht, Ukrainian camo nets
00:05:03 Praxis gallery from New York presents Simonette Quamina
00:06:54 Blitz overview of the stands
00:08:27 Focus section
00:09:08 Frieze Sculpture in English Gardens
00:10:29 Frieze Masters
00:10:46 Gagosian, Franz West
00:11:08 T-Rex skeleton
00:11:22 Visitor Julia Dennis shares her highlights
00:12:29 Boris Anrep at Philip Mould gallery stand
00:13:34 Ai Weiwei at Galleria Continua
00:13:58 Richard Pettibone, appropriation art
00:14:13 New section Modern Women
00:14:29 Émilie Charmy at Galerie Bernard Bouche, Colette
00:16:09 Good-bye

This year, Frieze London celebrates its 20th-anniversary. Over 160 galleries from 46 countries exhibit in the fair. Even in the post-Brexit economy the fair attracts a big international art crowd. The aisles are packed.
One of my highlights of the fair is Yinka Shonibare’s works. The British-Nigerian artist is shown by several galleries, including Cristea Roberts (London), which specializes in limited editions. Charlotte Salisbury says: “His work is about national identity and what that means in a colonial or post-colonial context.” Currently, Stephen Friedman gallery runs his solo-exhibition on Cork Street and also presents his sculpture at the Frieze Sculpture in the Regent’s Park.

One of additions this year is the Artist-to-Artist initiative, where a major artist invites a lesser-known talent. One of them, Fabian Knecht was selected by Olafur Eliasson. Alexander Levy of the namesake gallery from Berlin displays three of his textile works made from Ukrainian camouflage nets.
Praxis is another gallery in this section. Justine Gómez Romero, whom I met a couple of years ago in the downtown gallery, introduces Simonette Quamina. The young Afro-Caribbean artist was nominated by Alvaro Barrington. Gómez Romero is thrilled with the reception at Frieze and says that the entire booth is sold out.

Heading over to the Frieze Masters is enjoyable not just because the English Gardens are especially gorgeous in the fall, but you can also view the sculptures scattered all over the park. They are part of the free section of the fair, Frieze Sculpture, which is open through the end of October. The stroll is about 15 minutes, or you can take a free shuttle.

This is the 11th edition of Frieze Masters. Over 130 galleries present works ranging from antiquities to the 20th century. The experience never disappoints. One of the visitors, Julia Dennis, agrees with me saying that she “saves herself to build up for that” once she’s seen the contemporary fair.
But what caught my eye is the name of Boris Vasilyevich Anrep at the Philip Mould gallery stand. One of the featured works here is a rare mosaic by Anrep, says Ellie Smith. Supposedly, the figure depicted in the mosaic is Vaslav Nijinksy.

A new section Modern Women features prominent at one time but forgotten women artists from 1880 to 1980. Galerie Bernard Bouche spotlights Émilie Charmy, a French modernist painter, and the owner’s grandmother. The paintings on display are mainly self-portraits except for one. It depicts Sidonie-Gabrielle Colette, a French belletrist writer of the 20th century, known for her extravagant lifestyle and sensual writing.

The fair runs October 11 - 15, 2023.

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