Hello Guys,
today I have a patch with 4 VOX Quad Polyphonic Wavetbale VCO and Curves Analog filter bank and X4 from from Flame and using Locked Sample & Hold module from Ozoe.fr as main sequencer and Gem HP filter from Godsbox.
to this I added H9 Harmonizer from Eventide Audio.
Also supported patch using Pawn'O clock from Shakmat modular and Pico Mod and MSK 013 Middle Path VCO and MSK 011 transistor mixer from North Coast synthesis .
Some obout modules :
The 4VOX is a quad wavetable oscillator with up to four voices per VCO channel, resulting in a maximum of 16 voices at four individual outputs. Due to a MIDI input the module can be played both with CVs or/and directly via MIDI - MIDI allows for modulating some additional parameters. There are 39 memory locations for wavetables and 32 patches for all global and VCO parameters.
The parameters of a wavetable can be controlled by CVs and by MIDI. For instance you can morph through a wavetable with a CV, a MIDI controller or manually with the potentiometer. The range of waves within a wavetable can be selected by minimum and maximum values individually per voice which allows for creating more complex morphs. Further controllable parameters are Detune, Semitone, Octave, Chord, Portamento, Amplitude and Amp Move (90 degrees phase shifted volume modulation of a VCO's 4 voices). Min and max values can be selected for those parameters as well. Via MIDI it's possible to control further parameters (notes, chords, pitch bend, patch selection and wavetable selection)
The VCOs can be played analog (frequency by Pitch CV input), monophonic via MIDI or 4-voice polyphonic via MIDI. The VCO can be used as a voltage controllable LFO with 3 modes: LOOP, ONE SHOT and GATED. The SYNC input is used to trigger/reset the LFO. In ONE SHOT mode the LFO can be used as a trigger delay, too (SYNC = trigger in, GATE = trigger output, PITCH = delay time). Each VCO has an analog 1V/octave input including a fine tune control (+/-1 semitone) and pitch control (approx. 10 octaves), two freely assignable CV inputs, two freely assignable potentiometers, a trigger input for Sync/LFO-reset as well as a Gate and VCO/LFO output
The Flame Curves provides an analog filter bank with 12 bands, which are controllable by an internal pattern sequencer. In addition to the main audio outputs (sum, odd and even band numbers), each filter band contains a direct out and an individual VCA input.
All bands are accessible via MIDI notes, therefore you can „play“ Curves with a MIDI keyboard or a DAW.
Outside the 99 slots of the pattern memory (before the first sequence number), Curves runs in manual mode and offers several filter types (all-pass, low-pass, band-pass 1-3, high-pass).
Create your own pattern, save them in the internal pattern sequencer and adjust Curves` MIDI settings with the Curves editor software, available for Mac and Windows (freeware, download link below).
Connect Curves and your MIDI equipment easily with the included MIDI adapter cable (mini jack to 5pin female DIN, 0.7 m). Use this cable for making firmware updates, which are provided as MIDI SysEx files.
More info about Flame modules here :
http://www.flame-instruments.de/flame...
Locked Sample and Hold
This module is based on a random voltage generator (Sample and Hold). The possibility is left to breaks in the continuous flow of notes and there is also the possibility to block all or part of the ratings for the random sequence. This allows for repetitive melodies with remaining variations in the theme.
The sequence length is adjustable. The PWM output of the gate is adjustable or may be random.
The possibility of storing sequences 'live' is a reminder of the real-time themes.
http://www.ozoe.fr/articles.php?lng=f...
#flameinstruments #curvesfilterbank #4vox #wavetble #quadpolyphoniceurorack #polyphoniceurorack #ozoefr #sampleandhold #lockedsampleandhold #shakamatmodular #northcoastsynthesis #eventide #eventideaudio #h9harmonizer #eventideharmonizer #h9 #eventidepedaleffect #guitareffect #godsbox #gemfilter
Информация по комментариям в разработке