Craft Unique 808s: Stand Out in Trap Music! How To Make Trap 808's In NI Massive

Join me, Subterranean, in this exciting tutorial to craft unique 808s and stand out in trap music! 🌟 Learn how to break free from the norm and master the sound design secrets that will set your music apart. Unlock the secrets of using NI Massive and other plugins like Ableton's Operator and FL Studio's 3x Oscillator to create those deep, bassy hits that electronic music producers crave. 🎶

Explore the creation of these one-of-a-kind 808s and discover how to enhance your music production with powerful techniques used by top producers like Metro Boomin. Whether you're venturing into drum and bass, future bass, or any electronic genre, this detailed guide is for you! Watch now and dive deep into music production, sound design, and more! 🎧

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CHAPTERS
00:00 Introduction
01:00 Starting the Sound
02:10 Setting Octaves
03:30 Tweaking Envelope
06:09 Adding Legato
07:10 Pitch Modulation
10:06 Adding Distortion
11:18 EQing the 808
12:16 Final Pattern

Hey everyone! Learn how to craft unique Trap 808s in NI Massive, perfect for Metro Boomin-style tracks. From sound design to effects—it's all here. Drop a comment if you found this helpful!

Download the Project file here: https://bit.ly/2FTyRhh

Learn to create unique Trap 808s in NI Massive with this step-by-step tutorial. Perfect for fans of Metro Boomin. Comment and share your thoughts!

SUMMARY
Introduction to Making Trap 808's in NI Massive
**Introduction by Subterranean**: The tutorial by Subterranean focuses on creating unique 808 bass hits similar to those in trap music, explained using Native Instruments Massive. He argues for making your own 808s rather than relying on samples for more control and uniqueness.
**Reasons for Using Massive**: Subterranean highlights that most producers have access to Massive, making the tutorial widely applicable. He mentions alternatives that include DAW-specific plugins like Ableton’s Operator and FL Studio’s 3xOscillator.

Setting Up the Oscillator
**Initial Configuration**: The tutorial begins by selecting a sine wave from the Massive’s oscillator. This forms the basic pure, bassy sound necessary for an 808.
**Pitch and Octave**: Subterranean advises setting the oscillator's pitch to a very low octave, typically between 0 and 1, to capture the deep 808 characteristic tones.

Envelope Configurations
**Volume Envelope**: Modifications to Massive’s fourth envelope are explained to control the 808's decay and attack. This preserves clarity between the kick drum and the 808, avoiding muddiness.
**Decaying Over Time**: The tutorial demonstrates adjusting the decay knob to suit different track speeds and bass hit frequencies, suggesting a balanced decay for middle-ground results.

Voicing and Glide Settings
**Monophonic and Legato Settings**: To prevent overlapping notes and ensure single-note basslines, the voicing is set to monophonic. Legato mode is selected for incorporating pitch glide effects.
**Glide Time Adjustment**: The glide time setting under the oscillator tab is altered to add pitch sliding effects to the 808 hits, creating dynamic transitions between notes.

Pitch Modulation
**Using a Third Envelope**: The pitch modulation is achieved by assigning a different envelope (the third one) to the sine wave oscillator to create a quick pitch drop, simulating a kick-like attack in the 808.
**Adjusting Envelope Parameters**: Subterranean refines the attack, level, and decay settings of the third envelope to achieve the desired modulation effect.

Key Tracking for Decay
**Simulating Sampled 808 Decay**: The tutorial discusses using key tracking to emulate the natural decay behavior of sampled 808s, wherein higher pitches decay faster.
**Practical Adjustment**: Key tracking is applied to the decay knob to speed up decay for higher-octave notes while keeping lower-octave notes slower, creating a more authentic trap 808 effect.

Adding Harmonics with Distortion
**Applying Classic Tube Distortion**: To enhance the sound, a classic tube distortion effect is added. The dry/wet mix is set to 100% to fully saturate the signal.
**Tone Control via EQ**: High-frequency harmonics introduced by distortion are controlled using an EQ, cutting out highs above approximately 144-150 Hz for a balanced mix.

Final Adjustments
**Pattern Creation and Volume Leveling**: Subterranean showcases an 808 pattern mapped to the kick and melody, with volume levels set to avoid overpowering the mix.
**Increasing Glide Effect**: Further glide adjustments are made according to the need for pronounced pitch transitions within the pattern.

Final Tips and Closing Remarks