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This 1950 color film, issued by the Belgian Government Information Center of New York City and released as part of the Films of the Nations series, takes a travelogue view of Brussels, Ghent, Bruges, and other Belgian cities’ historic architecture and national export industries during the post-World War II era (21:01). It is narrated by Peter Allen and produced by DPM Productions, and directed by Maurice T. Groen. The film served both an educational function and serves as a tourist promo piece.
Opening titles. Logo for “F.O.N.” Films of the Nations, New York City. “Work and Play In Belgium” over an illustrated map of the country (0:09). Historic urban architecture in Brussels. The Cathedral of St. Michael and St. Gudula (0:56). The Royal Palace of Brussels. Le Palais de Justice. Grand Place, aka the Grand Market square: Le Roy d’Espagne, La Brouette, Le Sac, La Louve, Le Cornet, and Le Renard. The tower of Town Hall (1:24). A statuary fountain in regal dress making water (2:07). A streetcar, automobiles, and bicyclists. Signs for various businesses and brands, including Cointreau liqueur. A peaceful pond with geese and overhanging trees. Modern high-rise apartment buildings (2:12). The campus of the University of Brussels (2:43). The seaport of Antwerp. Docked ships and a truck piled high with cargo. An ice cream vendor (2:47). Gothic architecture. In the background, the Cathedral of Our Lady. A tunnel and passing automobiles. Baroque architecture. The Peter Paul Rubens House in Antwerp (3:10). Pedestrians and automobiles (3:45). Tractors and cargo ships. Miles of docks and cranes lifting cargo (4:00). Historic buildings on the Graslei aka the Grass Quay in Ghent: De Beerie, Den Witten Leeuw, Den Enghel, Eerste Korenmetershuis, Spijker, Tolhuisje, Tweede Korenmetershuis, Vrije Schippers Guildhall. St. Bavo’s Cathedral. Gravensteen castle (4:44). Ghent’s harbor. More footage of cranes loading and unloading cargo (5:04). A man on a barge looks at chickens (5:29). An archery competition (5:41). A swing carousel and a carnival. A dance in a public square, decorated with electric lights (6:09). Bruges City Hall and surrounding areas. Bruges city ramparts and town gate house. The Market Square in Bruges, with 17th century architecture featuring stepped gables (6:44). Young girls and an elderly woman making lace, rapidly manipulating bobbins of thread (7:24). The North Sea Coast and seaside resorts. Tourists on tandem bicycles, in swimsuits, bathing, enjoying meals. An amphibious boat (7:47). A casino. Tennis, miniature golf, and pedal cars (8:44). Agricultural regions of Belgium. A farmer and a horse-drawn flax harvester. A young man, a young boy, and a woman in a textile mill, making linen (9:06). Cows at pasture. A windmill. Horses at rest and work (10:09). Local parades (11:07). Industrial areas and Belgian factories. Railway yards. A coal mine. A horse pulls mining carts piled high with coal (11:33). Heavy industry. A steel mill and smelting operations (12:48). A potter spins clay on a potter’s wheel (13:33). A steam locomotive. Boy scouts. The Citadel of Namur and Namur Bridge (13:54). Tourist pedestrians during regatta. Men row canoes. Bicyclists (14:20). Tent camping. Rod fishing (15:02). Dinant, along la Meuse River and Bayard Rock. La cathédrale Notre Dame de Dinant and the Citadel. Views from the fort (15:43). The Ardennes Mountain region. A caravan of buses. Rustic rural farms. The Chateau d’Ardennes and landscaped gardens (16:27). The Hotel des Ardennes and local countrysides (17:41). The town of Spa. The city of Liège. A glassmaking studio. Blowing and polishing glass (18:01). Peaches and grapes growing in a greenhouse (19:14). The Université catholique de Louvain, aka the Catholic University of Louvain. College athletes run and jump. Review of previous scenes (19:43). “The End” (20:45).
This film was photographed by Earl B. Brink, written by Dorothy P. Maulsby, and narrated by Peter Allen.
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