Dad Reacts to Bon Iver - 22, A Million

Get 20% OFF @manscaped + Free Shipping with promo code TABLES at MANSCAPED.com! #ad #manscapedpod

Uncut available on Patreon
  / turningthetables  

twitter   / turningthetbles  
instagram   / turningthetbles  

Bon Iver - 22, A Million
  / 22-a-million  
https://open.spotify.com/album/1PgfRd...

0:00 Intro
3:20 22 (OVER SOON)
5:40 10 d E A T h b R E a s T
7:56 715 CREEKS
9:17 33 GOD
12:51 29 Strafford APTS
16:21 666
18:58 21 MOON WATER
21:19 8 (circle)
24:35 45
26:41 00000 Million

22, A Million is the third studio album by American indie folk band Bon Iver, released on September 30, 2016.[3] It was recorded in Justin Vernon's April Base studio in Eau Claire, Wisconsin, and marked a shift in the band's sound, incorporating elements of electronic music and hip-hop production, and making extensive use of samples, synths, brass instruments and effects. Vernon has said that many of the sounds on the record were created and manipulated using a Teenage Engineering OP-1 synthesizer, along with software designed specially for the band by Chris Messina, dubbed the "Messina". On August 28, 2016, all but one of the ten tracks were made available after an error occurred on Apple Music in Denmark. The single that was meant to be available, "33 “GOD”", was the only song unavailable, until the day after, when the album was officially leaked in full following the single's international release, barely over a month before its official release date of September 30. Even after it was taken down in Denmark, low quality MP3s and zip files began circulating on the Internet.

First premiered at Vernon's Eaux Claires Music Festival, the album debuted at number 2 on the Billboard 200 and received widespread acclaim from critics, who praised its original sound and colorful lyricism. Several publications, including Pitchfork, Rolling Stone and The Guardian, listed 22, A Million as one of the best albums of 2016. It also received nominations for Best Alternative Music Album and Best Recording Package at the 2017 Grammy Awards. In 2019, Pitchfork and Rolling Stone included it in their list of best albums of the decade, at number 91 and 47, respectively.