Vincent Gallo The Auteur

Dissertation Project 2022
All Music is done by Gallo or Frusciante

0:00 Introduction
2:16 Chapter 1 /Auteur Theory ( Boring)
5:39 Gallo's Camera Stylo Brown Bunny Example (Chapter 1)
6:47 Criticism of Auteur Theory (Chapter 1)
7:37 David Lynch Wont Explain Anything (Chapter 1)
8:00 Chapter 2 Andrew Sarris Three Auteur Positions (Even more boring)


8:45 First Position ( Chapter 2)
9:04 Woody Allen Clip on Technical Filmmaking ( Chapter 2)
10:18 Stephen King on Kubrick and The Shining ( Chapter 2( Really Loud ))
10:31 Second Position on Consistent Style of the Director
11:07 Vincent Gallo on other Directors and Points of View
11:32 Vincent Gallo on Spike Jonze
12:42 Vincent Gallo the Dishwasher
13:12 Vincent Gallo on Sofia Coppola
13:38 Gallo on Stern
14:28 Gallo with Coppola
14:47 Gallo being self reflective
15:14 Joey Diaz on Gallo
15:47 Sarris Last Position Interior Meaning
16:21 Lynch Temperature on Set
17:18 Vincent Gallo on Lance Accord cinematographer for Buffalo 66
17:35 Gallo on choosing staff for Brown Bunny

18:11 Vincent Gallo Chapter 3
19:41 Vincent Gallo speaks on artistic sensibility
20:23 Gallo on Graffiti Rock
21:01 Gallo in "the way it is "
21:26 Gallo shown on Schnabel "Basquiat"
22:25 Vincent Gallo in Arizona Dream

23:17 Chapter 4 Buffalo 66
24:48 Gallo Talks about theme and message
27:08 Excerpt of Brown with his Parents
28:08 Gallo on his Technical Prowess
29:20 Gallo on other directors he has worked with
30:52 Gallo on Kusturica
31:30 Gallo on his focus on composition and subtlety
32:13 Gallo Speaking on characters in Buffalo 66
33:17 First distinctive shot in Buffalo 66
33:58 Scene of Brown and parents at dinner table
34:15 Gallo's objective with Buffalo 66
35:21 Moonchild Scene Buffalo 66
36:18 Gallo politics having to do with Brown
37:44 Gallo speaking on the aesthetic sensibility of 66
38:16 Co star Kevin Corrigan speaks on Gallo and 66
38:38 Gallo on Ozu
39:25 66 Final Scene
40:04 Corrigan on Gallo's temperature on set
40:57 Corrigan on Gallo's guidance on actors
42:07 Gallo on Angelica Houston
42:32 Ricci on Gallo
43:30 Ricci attests to Gallo's auteurship
43:51 Corrigan attests to Gallo's auteurship
44:31 Gallo on his criminal childhood
45:06 Gazzara famous lip-sync scene
45:56 Gallo's suprise in 66 success
46:16 Gallo on 66's lack of financial success

47:03 Chapter 5 The Brown Bunny
47: 05 short Montage Introduction
47:57 Gallo on what film he would make after 66
48:33 Stern relates Ebert's review to Gallo
49:22 Gallo on the oral Scene
50:43 Gallo on his staff ( re-used )
51:18 Gallo on rejecting Dunst and Ryder
52:01 Gallo on being the camera man
54:33 Gallo on his technique
54:54 Gallo on pacing and nuance of Brown Bunny
55:46 Example of Comedy of Unresolved Tensions in Buffallo 66
57:03 Gallo on Cheryl Tiegs
57:47 Gallo on his politics
58:31 Gallo on his distinguishing personality in his art
1:00:43 Gallo explaining the Bonneville Salt Flat scene
1:02:09 Brown bunny's infamous oral scene
1:02:31 Gallo Explaining the infamous scene
1:03:42 Scene after Ejaculation
1:04:34 Gallo explains the concept further on Stern
1:05:12 Gallo speaks about the first girl used
1:05:36 Gallo speaks about meeting Daisy's parents and how he filmed it
1:06:34 Gallo on directing Chloe
1:08:04 Gallo on Motorcyle history
1:08:35 Gallo on the town depicted in Brown Bunny
1:08:56 Gallo on Sevigny
1:09:16 Gallo on auto biographical elements

Last Chapter Finishing Statements
1:11:25 Gallo on his idea behind creating the film
1:11:53 Gallo describes himself
1:12:24 Gallo final statement




Voice-over is a bit janky