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One of my favorite things about playing Marvel’s Spider-Man is the art of swinging. It’s not just a way to get from one mission to the next — it feels like a performance. Every jump off a skyscraper, every perfectly timed web-zip, every smooth arc between buildings feels choreographed, like I’m painting lines across the sky with motion instead of color.

New York City becomes a canvas, and I’m constantly creating flowing, dynamic paths through it. There’s a rhythm to it — leap, swing, release, dive, repeat — and when it clicks, it’s almost meditative. The movement feels alive, expressive, and free. It’s less about reaching a destination and more about mastering the flow, turning traversal into something graceful and cinematic.

Swinging isn’t just gameplay to me — it’s art in motion.

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