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Скачать или смотреть Public House Q&A | BFI London Film Festival

  • BFI
  • 2015-10-14
  • 363
Public House Q&A | BFI London Film Festival
Public House Q&Ahousebfipublicq&aBritish Film Institute (Publisher)british film institutefilmsmoviemovies
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Описание к видео Public House Q&A | BFI London Film Festival

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Filmmaker Sarah Turner talks to Festival programmer Helen de Witt about her film Public House, which follows the fight to save a cherished local pub. Turner answers questions about the practicalities of making her film, her involvement in the campaign to save The Ivy House and the issue of gentrification in London.

The 59th BFI London Film Festival in partnership with American Express® runs from Wednesday 7 October-Sunday 18 October 2015. Get immersed in the best of the world's new cinema in venues and events across London, featuring the stars and creators of the films!
The Festival opened with "Suffragette" (starring Carey Mulligan, Helena Bonham Carter and Meryl Streep), and has closed with Steve Jobs (starring Michael Fassbender).

Relive all of the best moments from the BFI London Film Festival 2015:    • Плейлист  

Watch more on the BFI Player: http://player.bfi.org.uk/
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This genre-blending documentary turns community action into an exhilarating participatory opera. In 2012, the Ivy House pub in Peckham was sold to property developers as part of the ongoing gentrification of south London. The locals opposed it. Unfolding from this scenario, the film weaves verbatim testament into folk operatic form with the Ivy House itself, embodied and imagined as a central character and inhabited by the memories of the generations who have passed through its doors. Turner films the community’s creative reanimation of the mourned pub through dance, poetry and song, reimagined as ritualised invocation, which both records and creates a vision of social possibility. Here, the ‘real people’ are not actors; they are performers and writers. The activism that saved the pub is a metaphor for social and creative agency. This is not just a film about resistance; it is a film that itself refuses categorisation, reinventing documentary reality as a polyphonic clamour of musical subjectivities.

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