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presenting one minute cover on "Bidhir Badhon Katbe Tumi" - Rabindra Sangeet
by Sreenwanti Saha

Parjaay: Swadesh (44)

Taal: Dadra

Raag: Khambaj

Written on: 1905 (21 Ashwin 1312)

Place: Giridih

Published in: Bhandar

Swarabitan: 46

Notation by: Indira Debi Chowdhurani

About

Artist: Soumyojit Das

Album: Tagore & We 2

Released: 2013

Bidhir bnadhon kaatbe tumi emon shoktimaan Tumi ki emni shoktimaan !
Aamader bhaanga gara tomar haate emon obhimaan
Tomader emni obhimaan.
Chirodin taanbe pichhe, chirodin raakhbe niche
Atoi bol naai re tomar, sabe na sei taan. Shaasone jatoi ghero aachhe bal durbalero, Hawo na jatoi baro aachhen bhagoban. Aamader shokti mere torao bnaachbi ne re, Bojha tor bhaari holei dubbe torikhan.


বিধির বাঁধন কাটবে তুমি এমন শক্তিমান--

              তুমি কি   এমন শক্তিমান!

আমাদের   ভাঙাগড়া তোমার হাতে এমন অভিমান--

              তোমাদের   এমনি অভিমান ॥

     চিরদিন টানবে পিছে,   চিরদিন   রাখবে নীচে--

     এত বল   নাই রে তোমার,   সবে না সেই টান ॥

শাসনে   যতই ঘেরো   আছে বল   দুর্বলেরও,

     হও-না   যতই বড়ো   আছেন ভগবান।

          আমাদের   শক্তি মেরে   তোরাও   বাঁচবি নে রে,

              বোঝা তোর   ভারী হলেই ডুববে তরীখান।


The song was used by Satyajit Ray in the film ‘Ghare Baire’ which was based on Tagore’s novel.
Artist : Kishore Kumar
Film : Ghare Baire


Rabindranath Tagore composed Bidhir Badhon Kaatbe Tumi in 1905 soon after Lord Curzon, the Viceroy of British India, partitioned Bengal along religious lines. The Bengali poet and writer, who went on to win the Nobel Prize in Literature, threw a challenge to the British, saying no matter how powerful the authority, the weak will gain strength and rise.

The song was used by filmmaker Satyajit Ray in the film Ghare Baire, which is also based on Tagore’s novel of the same name. Through the novel, Tagore expressed his exasperation at narrow notions of nationalism.
Written almost a decade after the Bengal partition, the story is told from the point of view of the three lead protagonists – the nobleman Nikhilesh, who refuses to boycott foreign goods but is more sympathetic to the cause of the downtrodden than even the fervent nationalists; Bimala, his wife, for whom the Swadeshi Movement provides an opportunity to engage with the outside world; and Nikhilesh’s friend Sandip whose sense of nationalism makes him averse to the “other”, in many cases someone from a different community.

Even as Bimala gets attracted to Sandip and his radical ideas, it is Nikhilesh who tells her that she needs to have a life outside the home – a controversial stance in 1916 when the novel was written.

What makes Tagore most remarkable is his uncanny relevance even today.

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