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#kawaims130#kawaiupright#digitalpiano

Welcome back to the channel!
Today we’re taking a first look at the brand-new Kawai MS130 — part of Kawai’s newly introduced Master Series — and asking the big question:
Is this a serious threat to traditional German uprights?
Fresh from the show floor, this is our very first hands-on experience with the MS130, a model based on the Kawai K-500 — but reimagined at an entirely different level of refinement. With upgraded materials, enhanced regulation, and design inspiration drawn from Shigeru Kawai craftsmanship, the MS130 aims squarely at the upper mid-tier European upright market.
So… does it deliver?

What We Explore in This Video
Tone & Sustained Complexity
The MS130 features a fully tapered AAA-grade solid spruce soundboard, extended key length, and upgraded hammer felt more in line with premium Shigeru-grade materials.

We dive deep into:
The evolving sustain and harmonic activity 2–3 seconds after attack
The remarkable tonal development in pianissimo to mezzo-forte ranges
The warmth and overtone richness created by Kawai’s longer string scale and lower tension design
How the tonal break is managed through the midrange
Where the treble differs from traditional German tonal concepts
The result? A uniquely expressive upright with a tonal palette that feels adventurous and alive — particularly in the lower half of the dynamic range.

Touch & Dynamic Control
Kawai appears to have taken factory regulation far beyond typical K-Series preparation. The MS130 offers:

Exceptional control in softer dynamics
A noticeably wider expressive range
A distinct response profile compared to European competitors
For pianists who value nuanced control and color at lower volumes, this instrument presents a compelling alternative.

Is It a “German Killer”?
Let’s be clear — the MS130 isn’t here to replace top-tier German uprights.
But what it does offer is something arguably more interesting:
A genuinely different voice in the upper mid-range upright category — not just in branding, but in tonal philosophy, touch response, and musical character.
For players exploring premium European options, the MS130 finally introduces a credible Japanese alternative with its own identity.

Key Features Highlighted
130cm professional upright piano
Fully tapered AAA solid spruce soundboard
Extended key length
Premium Shigeru-grade hammer felt
Advanced factory regulation
Longer string scale with lower tension design
Made in Japan

Who Is This Piano For?
Advanced pianists seeking tonal depth in an upright
Professionals wanting a distinct alternative to European brands
Players who prioritize warmth, sustain evolution, and dynamic shading
Anyone curious about where Japanese piano design is heading next

Join the Conversation
What do you think — is the MS130 a real competitor to established German uprights?
Have you played one yet? We’d love to hear your thoughts below.
If you enjoyed this deep-dive first impression, don’t forget to like, subscribe, and hit the bell so you never miss another in-depth piano review. More coming soon! 

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