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Скачать или смотреть সকালের রাগে রবীন্দ্র সংগীত I Rabindra Sangeet I Bengal Jukebox

  • Bengal Foundation
  • 2020-05-31
  • 13481
সকালের রাগে রবীন্দ্র সংগীত I Rabindra Sangeet I Bengal Jukebox
Apon ShureBengal JukeboxBengal FoundationSongs of Rabindranath TagoreRabindra SangeetRabindranather GaanTagore SongRabi Ragini episode- 7সকালের রাগে রবীন্দ্রসংগীতShubhro Asane BirajoSubinoy RoyGobhir Rajani NamiloLaisa Ahmed LisaBaro Bedonar MatoHiranmoy ChowdhuryHridoynandanobone NibhritoAdity MohsinAchhe Dukkho Achhe MrityuKalim SharafiKlanto Banshir Shes RaginiSanjida Khatun
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Описание к видео সকালের রাগে রবীন্দ্র সংগীত I Rabindra Sangeet I Bengal Jukebox

#Bengaljukebox
Label : Bengal Foundation
Songs of Rabindranath Tagore

♦️ সকালের রাগে রবীন্দ্রসংগীত ♦️

🔹Track List 🔹

1. Shubhro Asane Birajo ▶️ 00:00
Artiste: Subinoy Roy
Parjaay: Puja
Upa-Parjaay: Bibidha
Taal: Ara-Choutaal
Raag: Bhairav
Anga: Dhrupad
Written on: 1883
Notation by: Kangalicharan Sen
Notes: Bhanga Gaan Derived from a hindi song
"Rudradev Trinayan" (Dhrupad) in raag Bhairav,
Taal Ara-Choutaal.

2. Gobhir Rajani Namilo ▶️ 03:24
Artiste: Laisa Ahmed Lisa
Parjaay: Puja
Upa-parjaay: Antarmukhe
Taal: Rupakra
Raag: Paraj
Written on: 1903
Notation by: Kangalicharan Sen
Notes: This song was found in the infamous notebook called 'Majumdar Punthi'. This notebook was retrieved from Subodhchandra Majumdar's family and hence the name. This notebook used to be a constant companion of Rabindranath and he used to scribble down almost every detail of his daily life.
The Sanchari and Abhog sections are seen to have been written prior to the Asthayee and the Antara sections of this song. Not very often we see that. The said notebook also picturizes the process adhered to in the making of this song.

3. Baro Bedonar Mato ▶️ 09:07
Artiste: Hiranmoy Chowdhury
Parjaay: Prem (57)
Upa-parjaay: Prem-Boichitra
Taal: Ektaal
Raag: Kalangara
Written on: 1893
Place: Sajadpur
Notation by: Dinendranath Tagore
Notes: Composed on 10th July 1893 at Sajadpur. In a letter from Sajadpur Rabindranath has written to Indira Devi at Shimla on 10th of July 1893 -
You must have received my songs. The tune of the song Baro bedonar mato ... is perhaps not a charming one. ... These songs are to be sung in solitude. The tune, I believe, is not particularly a bad one, it doesn't seem to be an exaggeration either to accept it as a nice one. I had entuned it gradually in the bathroom - it is rather advantageous to compose in a bathroom. First of all it is lonesome, secondly free from other responsibilities - it doesn't harm your sense of duty of you keep on murmuring for five minutes after the first splash - the best part of it is that you are free to make faces as there isn't any scope for an audience. The state of mind for better compositions is never easy to reach unless faces are made. It is not all about reasoning - kind of craziness it is. I always sing this song, I had murmured it in the morning for a long time today. This song generates a strong emotional feeling while doing so.

4. Hridoynandanobone Nibhrito ▶️ 11:07
Artiste: Adity Mohsin
Parjaay: Puja
Upa-parjaay: Biraha
Taal: Jhaptaal
Raag: Mishra-Pancham/Sohini
Written on: 1894
Notation by: Kangalicharan Sen
Bhanga Gaan
Notes: Derived from a hindi song "Urdata Bandan Naba"
(Dhrupad) in raag Lalita-Gouri, Taal Jhaptaal.

5. Achhe Dukkho Achhe Mrityu ▶️ 15:09
Artiste: Kalim Sharafi
Parjaay: Puja
Upa-parjaay: Aashwas
Taal: Ektaal
Raag: Mishra-Jogia-Lalit
Written on: 1903
Notation by: Dinendranath Tagore
Notes: This song was written after the death of Mrinalini Devi (17th September 1902). Rabindranath was cautiously trying to suppress his expressions for the loss although often we see them to get exposed as it is in the case of this song. This song was also song along with another one while Sukumar Roy was in his death bed.

6. Klanto Banshir Shes Ragini ▶️ 18:46
Artiste: Sanjida Khatun
Parjaay: Prem
Upa-parjaay: Prem-Boichitra
Taal: Kaharwa
Raag: Ramkeli
Written on: 1922
Notation by: Dinendranath Tagore

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Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival, the world’s largest classical music festival in terms of number of performers on a single stage, audience capacity and duration.
Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh.

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