ناس مكان - هيا يا هيا | Nass Makan - Hayya ya Hayya

هى أحدث تجارب "مكان" (المركز المصري للثقافة والفنون) نسعى فيها لطرح "صوتًا" موسيقيًا جديدًا يشارك فيه عمالقة الموسيقيين فى مصر (من مصر والسودان) من حفظة التراث ومن ورثة المقامات والتقنيات الموسيقية الشعبية المأثورة.
تعتمد التجربة فى أساسها على مفردات وقواعد وتقنيات الموسيقى الشعبية بجمالياتها وتفاصيلها الدقيقة وثراءها الشديد وقدرتها على النفاذ إلى قلب المستمع. منذ أن بدأنا فى العمل فى مجال الموسيقى الشعبية قبل سنوات مضت وهناك سؤال يطرح نفسه: ماذا بعد؟ ماذا بعد الوصول إلى ما تبقى من المصادر الحية لتلك الموسيقى؟ ماذا بعد تسجيلها وحفظها على وسائط تقنية حديثة؟ ماذا بعد تقديمها بدون "شوائب" وإضافات مُستغربة؟ ماذا بعد تقديمها مرات ومرات بنفس شكلها التقليدى؟.
الإجابة بدأنا من مقولة الشيخ أمين الخولى "أول التجديد، قتل القديم فهمًا".
لذلك تعد هذه التجربة هى محاولة فى طريق هذا التجديد حاولنا فيها أن أعمل على الأسس الصلبة لموسيقانا الشعبية لأبنى عليها أشكالاً أو أصواتًا أو ألحانًا أو تراكيب مختلفة لنخرج فى النهاية بتجربة إبداعية جديدة.

What happens after…
Nass Makan – the people of Makan – is an Egyptian open project that brings together the greatest musicians of Egypt and Sudan on stage in a new sound. Famous custodians of the legacy of musical tradition, such as Zar performers Om Sameh and Om Hassan join Sudanese Singer Asia, singer Sayed Imam, and Sayed Rekabi together with many unique instrumentalists.
Nass Makan is different, innovative, and constantly changing. The unique mix of traditional Egyptian instruments with more contemporary ones provides a sound you’ve never heard before. This mix combined with different Egyptian & Sudanese music styles conjures an atmosphere and sound that’s hard to describe or categorize, but extremely powerful both in its most reflective moments and in its wild ballads.
Gypsy Music from the Delta joins hands with Zar songs and Sudanese music styles, and traditional instruments join contemporary ones. In the thoughtful and exhilarating arrangements, each singer and each music style is presented on a platform that respects the diverse musical tradition and brings it out in a new way. The result is a collection of charming arrangements, spontaneous and original. Some would describe it as fusion, but chiefly Egyptian.
Nass Makan forges a path to renewal by analyzing music at its roots and using traditional techniques, shapes, and sounds to create a fresh and stirringly creative experience. In this enchanting performance, vocals are accompanied by traditional instruments like the kawala, arghoul, or tamboura and instruments such as the saxophone, drums, and guitar.
Musical director Ahmed El Maghraby describes the creation of Nass Makan:
‘Since the beginning of my work in the field of traditional music some years ago, I always ask myself the following question: What happens after…? What happens after we have located the last living resources of certain musical traditions? What happens after we record and preserve this music with the means of modern technology? What happens after we present it the way it is, without additions or alterations? What happens after we’ve presented the same music many times? The answer I found is based on the words of Sheikh Amin Elkhouly: “The first step in a renewal is to contain and totally assimilate the old”. With “Nass Makan” I tried to find this road to renewal by analyzing our music, by building on techniques, shapes, and sounds of traditional music in a way that will produce a new creative experience.’
The project was premiered with great success in the October 2007 Concert Series in Cairo and has since then performed regularly at Makan, in Cairo, and abroad.




Facebook page:   / eccamakan  
Instagram:   / makan.musicvenue  
Tiktok:   / makan.ecca  
Website: https://www.egyptmusic.org/en/