THUNDERBIRDS UNSEEN: The Making Of "Vault of Death" (2024 Documentary)

Описание к видео THUNDERBIRDS UNSEEN: The Making Of "Vault of Death" (2024 Documentary)

Explore the Unseen Thunderbirds in the latest part of our behind the scenes journey through the creation of Gerry and Sylvia Anderson's timeless television series. This time, we take an in-depth look at the making of one of Penelope and Parker's finest hours, "Vault of Death". With the help of newly treasures from the archives, we uncover the challenges faced when this half hour episode had to be expanded to twice the length.

Thunderbirds was a massive success upon its debut in 1965 and this documentary programme investigates contributions made by scriptwriters, directors, special effects technicians, composer Barry Gray, and more.
To help us along the way, we will be drawing on not just interviews with the cast and crew, but from surviving material ranging from surviving scripts and musical scores, to original 35mm film rushes material digitised for the first time in 4k!

Explore this classic Supermarionation show like never before...

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About Us:

About Me:
Century 21 Films Ltd is a multi-faceted production company whose work spans drama to documentary, miniature effects to puppet shows. It was founded by a group of filmmakers who first collaborated on Filmed in Supermarionation, the story of Gerry and Sylvia Anderson's hit puppet shows including Thunderbirds, Stingray and Captain Scarlet.

Since then, we have worked for a multitude of high-profile clients including ITV, BBC, Mammoth Productions, British Film Institute and the Halifax working on projects such Thunderbirds, Endeavour, Doctor Who and The Twilight Zone.

In addition to our regular filmmaking services, we specialise in ‘Supermarionation’ - the puppetry filming technique used to make shows like Thunderbirds and have collaborated with ITV repeatedly to provide specialised services. Our work has been featured on The One Show, This Morning, Good Morning Britain, BBC News, ITV News and Mastermind.

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