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Program 4
Beethoven the Humanist/ Hümanist Beethoven

http://www.klasikkeyifler.org​​​​
http://www.goethe.de/ankara​​​​
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This 8-concert series was sponsored by and performed at the Goethe-Institut-Ankara from November 21 to December 21, 2020. Additional sponsors for this project were Ada Müzik, Chamber Music Exchange and the Engle Family Foundation. This series presents chamber music works for strings and piano, starting from Beethoven's compositions first published as a student of Haydn in Vienna, through his experimental and visionary later works. These include all the violin/piano sonatas, all of the cello/piano variations and sonatas, and the complete works for piano trio.

Cello Sonata No.1, Op.5 No.1 (1796)
Adagio sostenuto
Allegro
Allegro vivace

Violin Sonata No.7, Op.30 No.2 (1802)
Allegro con brio
Adagio cantabile
Scherzo. Allegro - Trio
Finale- Allegro

Piano Trio in B-flat major, Op.97 “Archduke” (1811)
Allegro moderato
Scherzo. Allegro
Andante cantabile ma però con moto
Allegro moderato

Banu Selin Aşan, violin
Gözde Yaşar, cello
Jerfi Aji, piano

https://www.kk-music-en.org/beethoven...
Türkçe:
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​Program 4
Beethoven the Humanist

Beethoven was 16 when Schiller wrote the “Ode to Joy”, a poem dedicated to brotherhood (that he would make famous in his 9th Symphony chorale). Growing up in Bonn he was steeped in Enlightenment philosophy, and C. Neefe his teacher from the age of 10, was an enthusiast of progressive education and believed in the unlimited potential of the mind. From an early age Beethoven was driven to explore the depths of the human experience, and in this 1st cello sonata the music begins with an extraordinary passage of mystery and a sense of questioning. What comes after is exuberance on a grand scale that pushes the boundaries of technique. The turbulent violin sonata in C minor was written in the same year as his “Heiligenstadt Testament”, a letter of despair describing

his decision not to end his own “wretched life” (his words) for the sake of art. This sense of duty to perfect mankind through creation of new works seems to have fueled his great productivity in this middle period. The noble “Archduke” trio is one of the iconic works of the chamber music repertoire and is rich with the many joys of being alive.

​BEETHOVEN250 DIGITAL FESTIVAL

Proje Yönetmeni / Project Directors:
Mehmet Gökhan Bağcı and Ellen Jewett
Görüntü Yönetmeni/ Cinematographer:
Uğur Kuşat
Ses Mühendisi / Sound engineers:
Kıvılcım Konca and Barış Yalaz
Seslendiren / Narrator:
Sungun Babacan
Kurgu / editing:
Ozan Aslan
Teknisyen / Technician:
İbrahim Durbali

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