UltraFine Finesse 400 ISO 35mm Black and White Film Review | All About Film

Some years ago I had the opportunity to have an enlightening conversation with the owner of UltraFine and he explained the UltraFine mission and gave me some interesting tidbits about the stocks. Key in this, UltraFine films are aimed at giving students and learners an affordable stock and this is a great mission I gladly support. Secondly, the name of the UltraFine film stock indicates that it is its own thing. All Finesse stock is the same stock made by the same firm, therefore. UltraFine films are newly made and good films, not short ends and expired stock. Each name of the stock, previously Extreme and now Finesse, for example, indicates a new generation of films.

I would add to that, Extreme and Finesse are much different films. I liked Extreme a lot – it was one of my two favorite black and white 400 ISO films, the other being Kentmere 400. Extreme delivered exceptional image quality and consistent and stunning performance. Finesse 400 I like less. Finesse is a look that needs to be liked specifically. I don’t think of Finesse as a film that anyone can pick up and immediately be enamored with the results of. For subjects outside, I like Finesse and think it’s a fine option. For subjects indoors, I would suggest against it, unless you have a good flash.

Finesse is a film that can perform very well but, if you’re like me, it’s going to take a good number of rolls to dial in how to use it. This video’s image folder had 83 sample photos in it, which if you know this series is about half what I usually show up with. That said, I bought a number of factory rolls of Finesse, mostly for the splash screen photos, and two – that I can recall – 100-foot spools. That first 100-foot spool was my learning curve and this film took me a while to dial in. So to that end, if you’re interested in trying Finesse, pick up a few rolls before you pick up a 100-footer and see what results you get. It’s worth trying, especially for the cost, and when Finesse connects with your camera’s settings and the scene in front of it, it can create a lovely photograph.


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Video Index:
0:00 - Intro
0:13 - UltraFine Finesse 400 All About Film Review
0:27 - UltraFine Finesse 400 Developed in Photographer’s Formulary PMK 1+2+100
0:48 - UltraFine Finesse 400 Best Tips, Tricks, and Practices
1:14 - UltraFine Finesse 400 Developed in Fomadon LQR 1+10
2:32 - UltraFine Finesse 400 Developed in HC-110 (LegacyPro 110) Dilution B (1+31)
3:04 - UltraFine Finesse 400 Image Characteristics
5:39 - UltraFine Finesse 400 Filter Performance
8:06 - UltraFine Finesse 400 Recommended Developers
8:15 - UltraFine Finesse 400 Developed in Silvermax Developer 1+19
9:13 - UltraFine Finesse 400 Developed in Paranol S 1+50
9:46 - UltraFine Finesse 400 Developers to Avoid
10:35 - UltraFine Finesse 400 Closing Narrative and UltraFine Finesse 400 Developed in XTOL 1+3
12:41 - UltraFine Finesse 400 @100 ISO Developed in XTOL 1+3
13:43 - UltraFine Finesse 400 @1600 ISO Developed in Rodinal 1+50
14:36 - UltraFine Finesse 400 Developed in HC-110 (LegacyPro 110) Dilution H (1+63)

References:
https://www.ultrafineonline.com/ulfi4...
https://www.digitaltruth.com/devchart...

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"Rock this Joint" by Edward Joe Myers, "Distant Echo" by Jakob Ahlborn, and "Could This be Real" by More than Family used under active license from Epidemic Sound at the time of this video's upload.