Скачать или смотреть LABUE AUDIOBOOK : DEVIL WEARS PRADA 3 / THE MEDUSA FILE (CHATGPT) FEAT. DARIO VITALE & VERSACE (A.I)

LABUE AUDIOBOOK :

THE DEVIL WEARS PRADA 3 /

THE MEDUSA FILE (CHATGPT)

FEAT. DARIO VITALE & VERSACE (A.I)

STILL IMAGES : CHATGPT

VIDEO : GROK

SYNOPSIS : CHATGPT

Summary

Dario Vitale will exit Versace on 12 December 2025, just months after making his highly praised debut as creative director. His departure follows Prada Group’s €1.25 billion acquisition of Versace, finalized earlier this week.

Vitale, formerly design director at Miu Miu, was appointed in March as the first non-family creative director in Versace’s history, replacing Donatella Versace. Despite presenting only one collection — Spring/Summer 2026 — his vision was widely celebrated and credited with repositioning Versace firmly back into the luxury category, with significantly elevated pricing and craftsmanship.

However, speculation about his short tenure intensified after the Prada acquisition, as creative reshuffles are common following new ownership. Donatella Versace, who remains a global ambassador for the brand, publicly supported the sale but did not attend Vitale’s SS26 show.

“THE MEDUSA FILE”

📌 A fashion-industry satire inspired by real events 📌

FADE IN:

INT. PRADA GROUP HEADQUARTERS – MILAN – MORNING

Glass. Steel. Silence so loud it hums.

A long marble table. EXECUTIVES sit perfectly aligned. At the head:
MIRANDA PRIESTLY, ice-calm, eyes sharper than tailoring shears.

Beside her stands ANDY SACHS, notebook ready, already terrified.

MIRANDA
(flat, lethal)
Let’s begin.

A slide appears on the wall:

“VERSACE — ACQUISITION COMPLETE (€1.25B)”

No applause


SCENE 1 — THE TRANSITIONAL GENIUS

INT. SHOW FOOTAGE – PARIS FASHION WEEK – NIGHT (FLASHBACK)

Models stalk the runway. Gold. Black. Precision sex appeal.
Whispers ripple through editors.

Who is this?

Dario Vitale. Ex–Miu Miu. Prada brain. Versace body.

Cut to DARIO VITALE, early 40s, controlled intensity, backstage.
He exhales. He knows he’s nailed it.


SCENE 2 — BACK TO MILAN

INT. BOARDROOM – CONTINUOUS

The footage freezes.

Critics loved it. Buyers loved it.

MIRANDA
Of course they did.

She looks bored.

MIRANDA (CONT’D)
He did exactly what we needed.

Andy looks up.

ANDY
Needed… for what?

Miranda finally looks at her.

MIRANDA
To remind the market Versace is luxury.
Now that it remembers—
(beat)
we move on.

Andy blinks.

SCENE 3 — THE UNCOMFORTABLE TRUTH

INT. MIRANDA’S OFFICE – LATER

Donatella Versace stands near the window. Platinum hair. Sunglasses on, even indoors.

DONATELLA
He respected the house.

MIRANDA
Respect is not alignment.

Donatella turns.

DONATELLA
You hired him.

MIRANDA
No.
Capri hired him.
We inherited him.

A pause.

MIRANDA (CONT’D)
Inheritance is not adopti

SCENE 4 — ANDY CONNECTS THE DOTS

INT. PRADA CAFETERIA – DAY

Andy sits with NIGEL, Prada’s senior creative advisor.

ANDY
But he came from Miu Miu. He’s one of you.

Nigel smirks.

NIGEL
Exactly.

Andy frowns.

NIGEL (CONT’D)
He’s Prada-trained, Andy. Which makes him dangerous.

ANDY
Dangerous how?

NIGEL
He knows the system well enough to bend it…
but not enough to own it

SCENE 5 — THE DECISION

INT. BOARDROOM – NIGHT

Rain streaks the windows. One folder sits in front of Miranda.

Label: VITALE — CONTRACT

She closes it without opening.

MIRANDA
One collection does not make a future.
It makes a phase.

She stands.

MIRANDA (CONT’D)
And phases end.


SCENE 6 — THE CALL

INT. DARIO VITALE’S APARTMENT – NIGHT

Minimalist. Italian modernism.

Phone rings.

INTERCUT WITH:

INT. PRADA HQ – MIRANDA’S OFFICE

MIRANDA
You did beautifully.

Dario smiles—then senses it.

DARIO
And?

MIRANDA
Versace no longer needs a reset.

Silence.

MIRANDA (CONT’D)
Your last day is December twelfth.

Dario exhales. Controlled. Professional.

DARIO
I see.

MIRANDA
Of course you do.

Click.

SCENE 7 — THE PRESS RELEASE MONTAGE

— Headlines: “DARIO VITALE TO EXIT VERSACE”
— Editors arguing on phones
— Buyers recalculating orders
— Instagram posts praising “vision” and “legacy”

Andy watches it all unfold from her desk.

SCENE 8 — ANDY QUESTIONS MIRANDA

INT. ELEVATOR – NIGHT

Andy and Miranda alone.

ANDY
Was he ever meant to stay?

Miranda adjusts her coat.

MIRANDA
No.

Beat.

MIRANDA (CONT’D)
He was meant to prepare the ground.

The elevator dings.


SCENE 9 — THE BIGGER REVEAL

INT. PRADA STRATEGY ROOM – DAY

A new slide appears:

“NEXT CREATIVE DIRECTOR — TBA”

No name. No face.

EXECUTIVE #2
Won’t the market panic?

Miranda smiles — barely.

MIRANDA
The market doesn’t panic.
It adjusts.


SCENE 10 — EPILOGUE

EXT. MILAN STREET – DUSK

Dario walks alone. Phone buzzes.

A message from an UNKNOWN NUMBER:

“Let’s talk.”

He looks up. Not defeated. Recalibrating.


FINAL SCENE

MIRANDA’S OFFICE – NIGHT

Andy places a file on Miranda’s desk.

ANDY
Who’s next?

Miranda doesn’t look up.

MIRANDA
Someone who understands that this is not about ego.

She finally meets Andy’s eyes.

MIRANDA (CONT’D)
It’s about ownership.

Andy nods.


FADE OUT.

In fashion, talent opens doors.
Control decides who stays.