Скачать или смотреть The diagram that guided the designs of Charles and Ray Eames

For the 1969 “What Is Design?” exhibition at the Musée des Arts Décoratifs in Paris, Charles Eames drew a diagram to represent the design process in terms of interested parties—the client, the designer, and society as a whole. Llisa Demetrios, Chief Curator of Eames Institute of Infinite Curiosity and granddaughter of Charles and Ray Eames, explains how their focus was always on the areas of overlapping interests.

Eames Institute is a nonprofit dedicated to advancing the work of Charles and Ray Eames and responsible for stewarding the Eames Archives in Richmond, California, containing thousands of artifacts from the Eames collection, Eames Office archives, and elsewhere.

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Over the last century, Herman Miller has been guided by a commitment to problem-solving designs that inspire the best in people. Along the way, Herman Miller has forged critical relationships with the most visionary designers of the day, from mid-century greats like George Nelson, the Eames Office, and Isamu Noguchi, to research-oriented visionaries like Robert Propst and Bill Stumpf — and with today’s groundbreaking studios like Industrial Facility and Studio 7.5. From the birth of ergonomic furniture to manufacturing some of the twentieth century’s most iconic pieces, Herman Miller has pioneered original, timeless design that makes an enduring impact, while building a lasting legacy of design, innovation, and social good. Herman Miller is a part of MillerKnoll, a collective of dynamic brands that comes together to design the world we live in. For more information, visit https://hi.hmlr.co/6059iiKxH.