Скачать или смотреть DBZ 056 - Zarbon’s Mission [Faulconer Re-Mix]

Dragon Ball Z Episode 56 - "Zarbon’s Mission" Faulconer Re-Mix Full Audio Music Suite

Editor - Marcelo Zuniga
New Music - Rakeem Delwin, Joe Holaska

The following is only the final music mix written and edited for the episode. If you are viewing this for the first time, we encourage you to first watch the episode itself as we intended it to be enjoyed. This musical suite is for your supplementary listening pleasure. Thank you for watching!

DOWNLOAD LINK:
https://mega.nz/folder/LjBCjLiK#eNPCp...

Original music composed by Mike Smith, Scott Morgan, Julius Dobos, and Bruce Faulconer

New Music Credits:
(* denotes track premiere)

1:21 “The Hunter” - Joe Holaska

2:31 “Zarbon Showdown” - Joe Holaska

3:15 “Vegeta Attacks” - Rakeem Delwin

4:09 “Dodoria Attacks II” - Joe Holaska

6:03 "Almost Caught" - Joe Holaska

6:19 "Calm Flying" - Rakeem Delwin

9:27 "Rage Masenkō" - Joe Holaska (adapting "Gohan Angers" by Mike Smith)

10:21 "Angelic DBZ Theme" - Joe Holaska ("Dragon Ball Z Theme" by Bruce Faulconer)

10:48 "Gohan on the Cliff" - Rakeem Delwin ("Gohan's Theme" by Mike Smith)

12:11 "Dragon Ball Discovery" - Joe Holaska

12:26 "Techno Space Training" - Joe Holaska

13:18 "Eerie Alien Spaceship" - Rakeem Delwin

13:49 "Dodoria Chase" - Rakeem Delwin

14:59 "Vegeta in Action"* - Joe Holaska

15:46 "Lethal Gravity"* - Joe Holaska

16:05 "Slow Space Training" - Rakeem Delwin

16:34 "Goku's Wacky Space Caper" - Joe Holaska

17:29 "Scary Alien Reveal" - Rakeem Delwin

20:06 "Zarbon's Metamorphosis" - Joe Holaska

Miscellaneous embellishments and transitions - Rakeem Delwin, Joe Holaska

ABOUT THE PROJECT:
"Dragon Ball Z: Faulconer Re-Mix" is an ongoing project to authentically re-score the Saiyan and Namek Sagas of Dragon Ball Z with the American broadcast score by the team at Faulconer Productions Music. Many brand-new tracks were composed for this episode using the original musical gear and hardware from 1999-2003, including the Alesis QS6, EMU Proteus I & II, Kurzweil K2500, and many key Roland Library sounds. A lot of care was made to make tracks fit and match to-scene, as well as avoid using any tracks from the later Majin Buu Arcs that would come off as anachronistic to deliver a rescore restoration that is as authentic as possible.

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