Скачать или смотреть Michel Chion - Le Prisonnier du Son (The Prisonner of Sound) (1972, 85)

https://electrocd.com/en/piste/imed_9...

Première Partie (First Part):

Générique (Credits) 00:00
Ouverture (Overture) 00:38
Monologue 05:56
Appel (Call) 06:48
Danse (Dance) 08:11
Réveil (Awakening) 09:42
Travail (Work) 10:44
Apparitions 12:13
L'usine À Sons (The Sound Factory) 13:11

Deuxième Partie (Second Part):

Nocturne 15:56
Larsen (Feedback) 19:02
Apparition 19:40
Danse Du N'importe Quoi (The Dance Of Anything) 21:25
Rencontre (Meeting) 22:47
Révolte (Revolt) 26:27
Cataclysme 27:14
Le Mur Du Son (The Wall Of Sound) 29:40

During the period when I composed Le prisonnier du son (The Prisonner of Sound), I was easily captivated by the sounds from loudspeakers and submerged in their abundance, from which arose the romantic idea to explicitly treat this impasse by more or less comic or serious episodes and by placing and directing a hero in the same situation. This was also a dramatic project in which the voice is no longer the vehicle of a text or narration but the incarnation of a character who lives and speaks in the present, who right before us does battle with sounds and is immersed in these sounds. The production of this piece was for me, paradoxically, a liberating gesture, as much in the sense of expression as in its duration and its sonic orchestration.

It is this form of the monodrama, excluding the dialogue between two voices and situating the human individual in a world of sounds, which I called an electroacoustic melodrama or concrète melodrama, and returned to this several times after with Diktat in 1979, Tu in 1977, La Tentation de saint Antoine, in 1984, and Nuit noire, in 1985. But while Flaubert served as librettist (involuntarily) for La Tentation…, all of the text of Le prisonnier du son was, if one could say, ‘orally written,’ in a face-off with the sounds, as if these very sounds were alive.