Grace Jones Interview (August 5, 1992)

Grace Beverly Jones OJ (born 19 May 1948) is a model, singer and actress.[11] Born in Jamaica, she and her family moved to Syracuse, New York, when she was a teenager. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of Elle and Vogue. She notably worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features.

Beginning in 1977, Jones embarked on a music career, securing a record deal with Island Records and initially becoming a high-profile figure of New York City's Studio 54-centered disco scene. In the early 1980s, she moved toward a new wave style that drew on reggae, funk, post-punk, and pop music, frequently collaborating with both the graphic designer Jean-Paul Goude and the musical duo Sly & Robbie. She scored Top 40 entries on the UK Singles Chart with "Private Life", "Pull Up to the Bumper", "I've Seen That Face Before", and "Slave to the Rhythm". In 1982, she released the music video collection A One Man Show, directed by Goude, which earned her a nomination for Best Video Album at the 26th Annual Grammy Awards. Her most popular albums include Warm Leatherette (1980), Nightclubbing (1981), and Slave to the Rhythm (1985).

As an actress, Jones appeared in several indie films prior to landing her first mainstream appearance as Zula in the fantasy-action film Conan the Destroyer (1984) alongside Arnold Schwarzenegger and Sarah Douglas, and subsequently appeared in the James Bond movie A View to a Kill (1985) as May Day, and starred as a vampire in Vamp (1986); all of which earned her nominations for the Saturn Award for Best Supporting Actress. In 1992, Jones acted in the Eddie Murphy film Boomerang, and contributed to the soundtrack. She also appeared alongside Tim Curry in the 2001 film Wolf Girl.

Jones was ranked 82nd on VH1's 100 Greatest Women of Rock and Roll (1999). In 2008, she was honored with a Q Idol Award. Jones influenced the cross-dressing movement of the 1980s and has been cited as an inspiration for multiple artists, including Annie Lennox, Lady Gaga, Rihanna, Solange, Lorde, Róisín Murphy, Brazilian Girls, Nile Rodgers, Santigold, and Basement Jaxx. In 2016, Billboard ranked her as the 40th greatest dance club artist of all time.[12]

Biography and career
1948–1973: Early life, and modeling career
Grace Jones was born in 1948 (though most sources say 1952)[2][13][14][15] in Spanish Town, Jamaica, the daughter of Marjorie (née Williams) (1927–2017)[16][17] and Robert W. Jones (1925–2008),[18] who was a local politician and Apostolic clergyman.[19][20][21][22] The couple already had two children, and would go on to have four more.[23] Robert and Marjorie moved to the East Coast of the United States,[23] where Robert worked as an agricultural labourer until a spiritual experience during a suicide attempt inspired him to become a Pentecostal minister.[24] While they were in the US, they left their children with Marjorie's mother and her new husband, Peart.[25] Jones knew him as "Mas P" ('Master P') and later noted that she "absolutely hated him"; as a strict disciplinarian he regularly beat the children in his care, representing what Jones described as "serious abuse".[26] She was raised into the family's Pentecostal faith,[27] having to take part in prayer meetings and Bible readings every night.[28] She initially attended the Pentecostal All Saints School,[29] before being sent to a nearby public school.[30] As a child, Jones was shy and had only one schoolfriend. She was teased by classmates for her "skinny frame", but she excelled at sports and found solace in the nature of Jamaica.[31]

She moved back to New York at 18 and signed on as a model with Wilhelmina Models. She moved to Paris in 1970.[37][42] The Parisian fashion scene was receptive to Jones's unusual, androgynous, bold, dark-skinned appearance. Yves St. Laurent, Claude Montana, and Kenzo Takada hired her for runway modelling, and she appeared on the covers of Elle, Vogue, and Stern working with Helmut Newton, Guy Bourdin, and Hans Feurer.[43] Jones also modelled for Azzedine Alaia, and was frequently photographed promoting his line. While modelling in Paris, she shared an apartment with Jerry Hall and Jessica Lange. Hall and Jones frequented Le Sept, one of Paris's most popular gay clubs of the 1970s and 1980s, and socialised with Giorgio Armani and Karl Lagerfeld.[44] In 1973, Jones appeared on the cover of a reissue of Billy Paul's 1970 album Ebony Woman.