Time Shadows Subharmonic Multi-Delay Resonator Demo | EarthQuaker Devices

The latest EarthQuaker Device actually is the same as the latest Death By Audio device. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind.

With the switch to the left, Time Shadows’ controls are completely the brain child of EarthQuaker Devices resident genius, Jamie Stillman. Flip the switch to the right and you enter the head of the madman Oliver Ackermann from Death By Audio barely clutching to reality.

Both sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music. The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch-morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with the power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope-controlled lowpass filter. The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats.

Between the two, you should have everything you need to break brains and destroy monotony!

Each Time Shadows was lovingly built by druids with very soft hands in the tiny hobbit hole of Akron, Ohio and has a lifetime warranty.

This device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

Controls
Both sides share the same simple controls: Time, Span and Filter. While they control the same parameters, you’ll get wildly different results in each mode.

Time: Controls the delay time.

Span: Controls the intensity of repletion.

Filter: Arguably the most fun control on Time Shadows! On the EQD side, this controls an envelope for the filter frequency and a gate for the cutoff to the input of the delay. On the DBA side, this controls the filter frequency as well as the shift point of a precisely phased delay line for pole zero interpolation.

Video: Chris Tran
Audio and playing: Jeff France
Hand model: Corey Haren

Guitar:
Guitar- Ampeg Split Sound by Burns of London (using neck pickup)
Amp- Fender Twin (using channel 1 aka the dry channel)
Mics- Ockava 101, Beyer Dynamic 201, Royer 121 (mics are listed in order of mix level)
The volume swells at the beginning were performed using an Ernie Ball Volume Pedal

Bass:
Bass- 70s Fender Precision Bass
Amp- Kustom K200b w/ 2x15 Kustom Cabinet
Mic- Electro Voice RE20 mixed with a DI (During the DBA side section the DI is significantly louder than the RE20, During the EQD side section the Mic is more dominant in the mix than the DI)

Sampler:
Sampler- Pioneer Toraiz SP16
The kick and Snare are Linn Drum samples. All other samples are from my Hammond Colonnade Organ. They are: Hi-Hat, Bass Pedal 16', Bass Pedal 8', a personal drawbar combo, and the "Chime" setting (the Chime setting is the chord section located on the top two rows of the pad set.)

D'Addario Planet Waves cables

Product page: https://www.earthquakerdevices.com/ti...
Limited to 1000 pedals worldwide.

Order Time Shadows here: https://reverb.com/item/36763371-eart...

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