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Salò, or the 120 Days of Sodom (1975) – Cult Film Index Review

Pier Paolo Pasolini’s final film is also his most infamous. Salò transplants the Marquis de Sade’s tale of sadism and degradation into Mussolini’s fascist Republic of Salò, where four libertines imprison youths in a villa and subject them to ritualized cruelty, sexual violence, and systematic dehumanization.
Filmed with clinical detachment and icy precision, it strips away any trace of eroticism, leaving only power, abuse, and despair. Banned and censored worldwide, Salò remains one of the most disturbing and confrontational works in cinema history not for gore alone, but for its unflinching allegory of political corruption and the abuse of power.

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